Lucinda Cobley
Intervals 12

Intervals 12
Intervals 12
Intervals 12
ArtistBritish, born 1963
CultureBritish
Titles
  • Intervals 12
  • from the series Intervals
Date2018
MediumMonoprint of Charbonnel ink on cut and torn Dura-Lar polyester film
DimensionsImage/Sheet: 40 × 50 in. (101.6 × 127 cm)
Credit LineGift of Wade H. Wilson in honor of Dr. Malcolm and Jackie Wolens Mazow
Object number2021.655
Non exposé

Explore Further

Object Type
ProvenanceThe artist, 2018; Wade Wilson, Houston and Hamilton, TX, 2018-2021; given to MFAH, 2021
Exhibition HistoryIntervals 12, 2018, was exhibited in Colour Intervals, solo exhibition at Nicole Longnecker Gallery, formerly located at 2615 Colquitt Street, Houston, TX 77098, May 19-June 23, 2018.
Other Intervals, from the series have been exhibited at the following:
Solo Exhibitions
Between Stillness, curator: Carlos Pozo, Dillon Kyle Architects, Houston, TX (Intervals 13) May 10 – 31 2019
Colour Intervals, Nicole Longnecker Gallery, Houston, TX, May 19-June 23, 2018 (Intervals 12 and 13)
Variations: Structure and Surface, Wade Wilson Art, Santa Fé, NM, May 10 – June 14, 2014 (Intervals 8)

Group Exhibitions:
From Lack: Finding Form at its Vanishing, Wade Wilson Art, Santa Fé, NM, March 1 – April 7, 2013 (Intervals 2)
Background. Noise, Lucinda Cobley and Grace Phillips, Houston TX, December 8-15, 2012 (Intervals 11)
Impressions, print group exhibit, Wade Wilson Art, Houston, TX, June, 2012 June, 2012 (Intervals 6, 7 and 8)
PrintHouston: Next, A Biennial of Contemporary Prints, juror: Dena M. Woodall, Assistant Curator of Prints and Drawings MFAH, Houston, TX, June, 2012 (Intervals 2)
May 2012 Super 8, organized by Christopher Higham, Spring Street Studios, Houston, TX (Intervals 1, 3, 4 and 5)

Inscriptions, Signatures and Marks
None.
None.
Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

recto of sheet
Mark Williams
2010
Oil and paper on Dura-Lar
2011.577
recto of sheet
Mark Williams
2010
Oil and paper on Dura-Lar
2011.576
Revision: white i
Lucinda Cobley
2010
Acrylic and pigments on plastic
2010.216
Untitled (#575)
Anne Ryan
c. 1948–1954
Collage of gouache on torn-and-pasted wove paper, torn-and-pasted colored wove paper and sand paper, cut and pasted Japanese paper, and thread on wove paper
79.48
Tool Box 9
Jim Dine
1966
Collage of screenprint on acetate, screenprint on torn wove paper, and graphite on cut wove paper
79.265
Illuminations #11
Dee Wolff
1980
Gouache and acrylic, with acrylic and color pencil on cut and pasted wove paper, and watercolor and acrylic on torn and pasted wove paper, on wove paper
85.14.A-.C
Near the Bay
Dorothy Hood
1982
Collage of charcoal, watercolor, and graphite on cut and pasted wove paper, torn and pasted kraft paper, metal foil, and cut and pasted wood engraving on wove paper, on four ply mat board
83.19
Winter Speaks
Jim Hodges
2015
Etching, aquatint, sugar lift, spit bite and drypoint in colors with scraping and burnishing on wove paper and brown Gampi paper; screenprint in white ink on white Gampi paper, and hand-cut Beva film, printer’s proof 1/4
2021.502
Jazz Studies III (Stereo [Myths and Stereotypes])
Tierney Malone
1997
Tempera, chalk, pastel stick, marker, and graphite with collage of cut and torn printed papers and tapes on wove paper
97.204.3
Afternoon Tea
Dorothy Hood
Collage of cut and pasted color halftone print, acrylic on torn and pasted halftone print, and leaf, on acrylic on wove paper
2020.287
The Window of Formality
Dorothy Hood
c. 1982–1997
Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper
2020.286
The Sea and the Thrust
Dorothy Hood
1982
Collage of torn and cut newspaper, printed, and wove papers, with watercolor, monotype and gouache, on paper board
85.17