Artist
Gilles Demarteau (Flemish, 1722–1776)Flemish, 1722–1776
Afterafter
François Boucher (French, 1703–1770)French, 1703–1770
PublisherPublished by
Gilles Demarteau (Flemish, 1722–1776)Flemish, 1722–1776
CultureFlemish
Titles
- La mere de famille (Woman wiping baby’s bottom)
Date1755–1776
MediumChalk manner engraving printed in red ink on laid paper
DimensionsPlate: 8 7/16 × 6 1/2 in. (21.5 × 16.5 cm)
Sheet: 13 1/16 × 9 7/8 in. (33.1 × 25.1 cm)
Sheet: 13 1/16 × 9 7/8 in. (33.1 × 25.1 cm)
Credit LineMuseum purchase funded by Michael W. Dale
Object number2022.252
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryNone known
Inscriptions, Signatures and Marks
-Recto: Inscribed on plate, centered below image: TIRE DU CABINET DE MADAME D’AZAINCOURT.
-Recto: Inscribed on plate, bottom left corner: F. Boucher inv. del.
-Recto: Inscribed on plate, lower center: A Paris chez Demarteau
-Recto: Inscribed on plate, bottom right corner: Demarteu l’aine Sculp. C.P.R.No 50.
-Verso: Inscribed in graphite, top left corner: NV 10776
-Recto: Inscribed on plate, bottom left corner: F. Boucher inv. del.
-Recto: Inscribed on plate, lower center: A Paris chez Demarteau
-Recto: Inscribed on plate, bottom right corner: Demarteu l’aine Sculp. C.P.R.No 50.
-Verso: Inscribed in graphite, top left corner: NV 10776
None known
Catalogue raisonnéLeymarie no. 50, p. 27; Roux no. 50, p. 356; Jean-Richard no. 621, p. 178
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Gilles Demarteau
1755–1776
Chalk manner engraving printed in red ink on laid paper
2022.251
Gilles Demarteau
c. 1759–1762
Crayon manner etching printed in brownish red ink
BF.1999.14
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
John Bingley Garland
c. 1850–1860
Collage of cut-and pasted engraving, chalk-manner lithograph and etching, with watercolor, gouache, gold, pen and ink and glaze, on beige wove paper
2023.275
Giulio Cesare Procaccini
c. 1600–1610
Red chalk on laid paper with 18th-century laid paper mount ruled with ink, wash and metal foil
2019.59
![Essai à la manière noire (Un Géographe) [Study in the Black Manner (A Geographer)]](/internal/media/dispatcher/306535/thumbnail)
Nicolas-Toussaint Charlet
1831
Lithograph (en la manière noire [in “the dark manner”]), printed chiné colle, mounted on wove paper, rare proof
2011.614
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Guido Reni
c. 1609
Black and red chalk with white chalk on brown laid paper
2011.839
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480
