Artist
Giulio Cesare Procaccini(Italian, 1574–1625)Italian, 1574–1625
CultureItalian
Titles
- Study for La Naissance de la Vierge (The Birth of the Virgin)
Datec. 1600–1610
MediumRed chalk on laid paper with 18th-century laid paper mount ruled with ink, wash and metal foil
DimensionsSheet: 12 7/8 × 7 3/8 in. (32.7 × 18.7 cm)
Mount: 15 5/8 × 10 1/4 in. (39.7 × 26 cm)
Mount: 15 5/8 × 10 1/4 in. (39.7 × 26 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2019.59
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
(1) Van Parijs was a Brussels printer around 1800. He formed his collection in the late 18th and early 19th centuries. It is known that he bought works on paper at the Hazard 1789 sale in Brussels. In 1839, Belgium acquired 14,318 prints from the van Parijs collection at a price of 15,000 florins. The drawings remained for a long time in the hands of his heirs. In 1853, a number of his objets d’art, coins, and medals were sold twice in 1853. His collector’s mark is seen below (Figs. 3 & 4).
Inscriptions, Signatures and Marks
Recto: Inscribed in graphite, on mount, right bottom edge: Biscaino
Recto: Stamp, on mount, bottom right corner edge: ARD
Recto: Stamp in ink, on mount, bottom left corner: VP / No 22 [number handwritten]
Recto: Stamp in ink, on mount, bottom left corner: VP / No 22 [number handwritten]
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Cesare Pollini
c. 1600
Ink and wash, pencil, chalk on laid paper
70.35
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Jean-Étienne Liotard
1731
Etching and engraving on 18th-century laid paper, state II/III
2022.247
Richard Wilson
1754
Black chalk with white chalk on gray blue laid paper; laid down on the artist's original mount of laid paper with lilac wash laid paper border
2019.288
Domenico Piola
c. 1642–1703
Pen and brown ink, brush and brown wash, over red chalk, squared for transfer with red chalk on laid paper
2015.260
Samuel Gassman
2023
Tiara: Iron, platinum, enamel on copper, 19th century neoclassical helmet shell cameos, pink conch shell cameo, 19th century malachite cameo, 19th century hard stone cameo, shell, ebony, rose quartz, citrine, opal, garnet, sea glass, aquamarine, amethyst, gold, natural pearls, tigers eye, 19th century cut steel, silk, cotton velvet, and silk floss
Box: Archival foam core, Magic Smooth resin, cotton gauze, silk, cotton velvet, silver, metallic bullion ribbon, paper, cotton damask c. 1900, silk damask c. 1850, 18th century linen, cotton thread, and silk floss
2024.284.A,.B
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480
Nicolas Lagneau (Lanneau)
c. 1600–1625
Black and red chalk with ochre wash on laid paper
44.536
Jan van Huysum
early to mid 1700s
Black chalk and brush and ink with gray wash on laid paper
2019.17
Jean-Honoré Fragonard
ca. 1780s-90s
Black and red chalk on laid paper
94.1053