Jean-Étienne Liotard
Entretiens amoureaux–Amantium Colloqua (Conversation among lovers), from series L’Oeuvre d’Antoine Watteau Peintre du Roy, from the Recueil Jullienne

Entretiens amoureaux–Amantium Colloqua (Conversation among lovers), from series L’Oeuvre d’Antoine Watteau Peintre du Roy, from the Recueil Jullienne

Public Domain

Entretiens amoureaux–Amantium Colloqua (Conversation among lovers), from series L’Oeuvre d’Antoine Watteau Peintre du Roy, from the Recueil Jullienne
CultureSwiss
Titles
  • Entretiens amoureaux–Amantium Colloqua (Conversation among lovers), from series L’Oeuvre d’Antoine Watteau Peintre du Roy, from the Recueil Jullienne
Date1731
MediumEtching and engraving on 18th-century laid paper, state II/III
DimensionsPlate: 16 × 19 5/16 in. (40.7 × 49 cm)
Sheet: 17 3/16 × 20 11/16 in. (43.7 × 52.5 cm)
Credit LineMuseum purchase funded by the Marjorie G. and Evan C. Horning Print Endowment
Object number2022.247
Non exposé

Explore Further

Object Type
ProvenanceThe artist, 18th century; by descent through the Liotard family; Professor C.B. Tilanus, late 19th century-early 20th century; [possibly his sale, Amsterdam, auction, 1934] [1] ; Societé auxiliare du Musée du Genéve, Geneva Switzerland; [Rodolphe Dunki, Geneva, Switzerland]; Private collection, Geneva, Switzerland; [London, Christie’s, 8 April 2009]; [Susan Schulman Fine Art, Inc., New York, as of 2021-2022]; purchased by MFAH, 2022.

[1] from a group of prints almost certainly sold at auction in Amsterdam in 1934. This collection had descended through the Liotard family to Professor C.B. Tilanus. His sale contained a lot described as a “portfolio with many antique prints,” which was bought by the Societé auxiliare du Musée du Genéve. They extracted seventeen drawings and sold the balance to a local dealer, Rodolphe Dunki. He then sold the group to a collector in Geneva, who sold them at CHRLN 8 April 2009.
Exhibition HistoryNone known.
Inscriptions, Signatures and Marks
Recto: Inscribed on plate, left bottom edge directly below image: A Watteau pinxit
Recto: Inscribed on plate, right bottom edge directly below image: Liotard Sculp.
Recto: Inscribed on plate, below left center of image: ENTRETIENS AMOUREUX./Graves d’Apres le Tableau original peint par Watteau/de la meme grandeur de l’estampe
Recto: Inscribed on plate, center bottom edge: Tiré du cabinet de McMassé/a Paris Avec Privilege du Roy.
Recto: Inscribed on plate, below right center of image: AMANTIUM COLLOQUIA/Scalpta juxta Exemplar ejusdem magnitudinis/a Watteau depictum
Verso: Inscribed in graphite, left bottom edge: 2310 006
Verso: Inscribed in graphite, bottom right corner: 2[?]7615

None known
Catalogue raisonnéDacier & Vuaflart 124, II/II

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Overall.
Samuel Gassman
2023
Tiara: Iron, platinum, enamel on copper, 19th century neoclassical helmet shell cameos, pink conch shell cameo, 19th century malachite cameo, 19th century hard stone cameo, shell, ebony, rose quartz, citrine, opal, garnet, sea glass, aquamarine, amethyst, gold, natural pearls, tigers eye, 19th century cut steel, silk, cotton velvet, and silk floss Box: Archival foam core, Magic Smooth resin, cotton gauze, silk, cotton velvet, silver, metallic bullion ribbon, paper, cotton damask c. 1900, silk damask c. 1850, 18th century linen, cotton thread, and silk floss
2024.284.A,.B
Study for La Naissance de la Vierge (The Birth of the Virgin)
Giulio Cesare Procaccini
c. 1600–1610
Red chalk on laid paper with 18th-century laid paper mount ruled with ink, wash and metal foil
2019.59
Jean-Louis Buisson-Boissier
Jean-Étienne Liotard
c. 1764
Pastel on vellum
86.28
The Small Self Portrait
Jean-Étienne Liotard
c. 1781
Mezzotint with etching and roulette on laid paper
2014.841
A Midnight Modern Conversation
William Hogarth
March 1732/1733
Engraving and etching on laid paper, state II/III
2014.907.26
Overall recto
Jean Daullé
1735
Engraving on wove paper, state II/III
2022.257
Le Peintre Créateur
Pierre-Étienne Le Sueur
c. 1790–1800
Etching
BF.2000.13
Francois Mallier du Houssay, Bishop of Troyes
Robert Nanteuil
c. 1656
Engraving on laid paper, state II/III
2022.97
Ars Moriendi (The Art of Dying)
Konrad Kachelofen
1497
Woodcut, letter press and pen and ink initial on laid paper; 20th century full morocco binding with gilt-tooled spine and covers and edge gilding
BF.2019.3
Venice Receiving Homage from Neptune
Giovanni Domenico Tiepolo
1745/1750
Etching with engraving on laid paper, State II/III
2018.39
The Angel Departing from the Family of Tobias
Rembrandt van Rijn
1641
Etching, state II or III/IX
96.1765
Marriage-a-la-Mode, Plate VI
William Hogarth
April/June 1745
Engraving and etching on laid paper, state II or III/III
2014.907.20