© Glenn Ligon; courtesy of the artist, Hauser and Wirth, New York, Regen Projects, Los Angeles, Thomas Dane, London, and Chantal Crousel, Paris
Artist
Glenn Ligon(American, born 1960)American, born 1960
CultureAmerican
Titles
- Untitled (How It Feels to Be Colored Me)
Date1991
MediumOil stick and gesso on wood panel
DimensionsPanel: 80 × 30 × 1 1/4 in. (203.2 × 76.2 × 3.2 cm)
Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment
Object number2019.185
Non exposé
Explore Further
Department
Modern and Contemporary ArtObject Type
Exhibition History"Glenn Ligon/MATRIX 120," Wadsworth Atheneum, Hartford, Connecticut, August 30–November 15, 1992.
"Statements: African American Art from the Museum's Collection," The Museum of Fine Arts, Houston, January 24–September 25, 2016.
"Witness," Nancy and Rich Kinder Building Inaugural Exhibition, Museum of Fine Arts, Houston, November 15, 2020–November 15, 2022.
Inscriptions, Signatures and Marks
Verso: Inscribed in blue ink, center: GLENN LIGON / UNTITLED 1991
Verso: Signed in blue ink, center: GLENN LIGON / UNTITLED 1991
N.A.
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Jim Hatchett
1990
Wood, paper towel, canvas, cardboard, wire, rock, glass, gesso, acrylic screen ink, oil stick, and plywood
91.1340
Glenn Ligon
2000
Inkjet print in colors on wove paper (.A) screenprint over inkjet print in colors on wove paper (.B), edition 13/20
2005.1082.A,.B
Carl Palazzolo
2021
Acrylic, gesso, graphite, drawing inks, crayon, and oil on panel
2021.597
Jamie Bennett
1992
Oil stick, watercolor, graphite, and gesso on wove paper
2007.1551
Jamie Bennett
1992
Watercolor, oil stick, graphite, and gesso on wove paper
2007.1552
