Artist
Audrey Niffenegger(American, born 1963)American, born 1963
CultureAmerican
Titles
- Rilke
Date1985
Made inChicago, Illinois, United States
MediumAquatint and etching on Japanese paper, edition 3/10
DimensionsImage: 17 15/16 × 11 3/4 in. (45.6 × 29.8 cm)
Sheet: 23 13/16 × 16 1/2 in. (60.5 × 41.9 cm)
Sheet: 23 13/16 × 16 1/2 in. (60.5 × 41.9 cm)
Credit LineGift of Renée Wallace in memory of Stanford Wallace
Object number2014.1045
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Defining the Body: Contemporary Figuration on Paper," The Museum of Fine Arts, Houston, August 1—November 1, 2015.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, in plate, top edge: Oh, nicht, weil Glück ist, / dieser voreilige Vorteil eines nahen Verlusts
Recto: Inscribed in graphite, below image, lower left: 3/10
Recto: Inscribed in graphite, below image, lower center: October, 1985
Recto: Signed in graphite, below image, lower right: A S[?] Niffenegger
Recto: Inscribed in graphite, below image, lower left: 3/10
Recto: Inscribed in graphite, below image, lower center: October, 1985
Recto: Signed in graphite, below image, lower right: A S[?] Niffenegger
Recto: Signed in graphite, below image, lower right: A S[?] Niffenegger
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Earl Staley
1983
Etching, aquatint, and sugar lift in colors on paper, edition 10/10
2011.754.3
Audrey Flack
copyright 1975
Laminated and die cut screenprint in colors on wove paper, edition 63/125
75.583.3
Kerry James Marshall
2010
Aquatint, spit bite aquatint, and sugar-lift aquatint in colors with softground and hardground etching, scraping and burnishing, drypoint, collage and handcoloring on wove paper, artist’s proof 10/10
2017.284
![Untitled [8]](/internal/media/dispatcher/310239/thumbnail)
Terry Winters
1998
Woodcut in white, with black ink wash on Japanese paper, edition 10/35
2016.90.8
![Untitled [9]](/internal/media/dispatcher/310241/thumbnail)
Terry Winters
1998
Woodcut in white, with black ink wash on Japanese paper, edition 10/35
2016.90.9