Standing Frame

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Images(4)

Artist Uematsu Keiji(Japanese, born 1947)Japanese, born 1947

CultureJapanese

Titles

Standing Frame

Date1976

MediumGelatin silver prints

DimensionsImage (.A at open): 15 1/2 × 19 5/8 in. (39.3 × 49.8 cm)
Sheet (.A at open): 15 1/2 × 19 9/16 in. (39.3 × 49.7 cm)
Image (.B at open): 15 1/2 × 19 5/8 in. (39.3 × 49.8 cm)
Sheet (.B at open): 15 1/2 × 19 5/8 in. (39.3 × 49.8 cm)
Image (.C at open): 15 1/2 × 19 5/8 in. (39.3 × 49.8 cm)
Sheet (.C at open): 15 1/2 × 19 5/8 in. (39.3 × 49.8 cm)
Frame (outer) (EACH FRAME DIM): 16 3/8 × 20 1/2 × 1 1/4 in. (41.6 × 52 × 3.1 cm)
Frame (.A): 16 5/16 × 20 1/2 × 1 3/16 in. (41.5 × 52 × 3 cm)
Frame (.B): 16 5/16 × 20 1/2 × 1 3/16 in. (41.5 × 52 × 3 cm)
Frame (.C): 16 5/16 × 20 1/2 × 1 1/4 in. (41.5 × 52 × 3.2 cm)

Credit LineGift of Michael A. Chesser In honor of Yasufumi Nakamori

Object number2025.330.A-.C

Non exposé

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Department

Photography

Object Type

PHOTOGRAPHS

DescriptionAfter making photographs for a few years in Osaka, and after moving in 1974 to Düsseldorf, where he participated in a workshop run by the conceptual artist Klaus Rinke, Keiji Uematsu became interested in the compression of a space framed by the camera and turned his attention to the relationship between real space and the visual frame. He made a number of works that compare the illusory nature of photography and the actual state of objects and spaces. Many of these works were made in suites, initially because Uematsu wanted to examine multiple directions of forces in a single space. However, he soon began producing images in multiples as his interest shifted to the presentation of the relativity of such images, as seen in Standing Frame and Wave Motion I (TR:104-2014.A, B.). Through these works, Uematsu tried to critique illusion and relentlessly pursued the actual. What he confronted was the real space in which he placed his body, as well as the relationship between the viewer and the object.
ProvenanceThe artist; Yumiko Chiba Associates, Tokyo; Michael A. Chesser, Austin, Texas, 2012; given to MFAH, 2025.
Exhibition History“For A New World to Come: Experiments in Japanese Art and Photography, 1968-1979 Japan,” The Museum of Fine Arts, Houston, March 8–July 12, 2015.
Inscriptions, Signatures and Marks

Inscribed in pencil on .A frame verso:
Standing-frame 1[circled] 3/4
1976

Inscribed in pencil on .B frame verso:
Standing-frame 2[circled] 3/4
1976

Inscribed in pencil on .C frame verso:
Standing-frame 3[circled] 3/4
1976

Signed on frame verso in pencil (.A, .B, .C): Keiji Uematsu

Gallery label affixed on frames verso.

Cataloguing data may change with further research.

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