Artificial Rock #83

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Images(7)

Artist Zhan Wang(Chinese, born 1962)Chinese, born 1962

CultureChinese

Titles

Artificial Rock #83

Date2006

Made inChina

MediumStainless steel and mahogany, edition 3/4

DimensionsOverall: 37 1/2 × 25 × 11 in. (95.3 × 63.5 × 27.9 cm)

Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment

Object number2013.277

Current Location

The Caroline Wiess Law Building

109M Jones Galleries

Exposé

Explore Further

Department

Asian Art

Object Type

SCULPTURE

ProvenanceThe artist; [Haines Gallery, San Francisco]; MFAH 2013.277
Published References Dal Lago, Francesca (2000). 'Space and Public: Site Specificity in Beijing'. Art Journal (Spring): 75-87. Erickson, Britta (2001). 'Material Illusion: Adrift with the Conceptual Sculptor Zhan Wang.' Art Journal (Summer): 72-81. Greene, Alison de Lima. "Asia Through Contemporary Eyes: Highlights from the Collections of the Museum of Fine Arts, Houston," Arts of Asia, "The Museum of Fine Arts, Houston: Ancient and Modern Asian Art," vol. 46, no. 6 (November-December 2016): illus. cover, p. 3 and 129. Gao Minglu, Inside Out: New Chinese Art, Berkeley, 1998. Gao Minglu, Total Modernity and the Avant-Garde in Twentieth Century Chinese Art, Cambridge, MA, 2011. National Art Museum of China, Zhan Wang, Garden Utopia, Beijing, 2009. Madeline Christine Pederson, Reclaiming the Ruins: Examininig the repurcussions of Chinese urbanization through the works of Zhang Dali, Xing Danwen, and Zhan Wang, Buffalo, 2008. Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern'. In Gao Minglu (ed), Inside Out: New Chinese Art. Berkeley, 1998. Wu Hung. "Reinterpretation: a decade of experimental Chinese art: 1990-2000," Chicago, 2002. Wu Hung. "Remaking Beijing: Tiananmen Square and the Creation of a Political Space," Chicago, 2005. Wu Hung. "Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago, 1999. Silbergeld, Jerome, "China inot film: frames of reference in Contemporary Chinese Cinema," New York, 2000. Silbergeld,, Jerome, "Mind Landscapes: the paintings of C.C. Wang," Seattle, 1987. Silbergeld, Jerome, Persistence/transformation: text as image in the art of Xu Bing," Princeton, 2006. John Stomberg, "Zhan Wang: Urban Landscape," Gastronomica: The Journal of Food and Culture, Vol. 7, no. 2 (Spring 2007), pp. 9-11. Zhan Wang, "The New Suyuan Stone Catalog," Beijing, 2011. Inscriptions, Signatures and Marks

Base: inscribed and dated: 3/4 \ 2006

Base: signed, inscribed and dated: [artist name] \ 3/4 \ 2006

[no marks]

Cataloguing data may change with further research.

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