Simon Norfolk
Pakistani apples for sale at a roadside market.

Pakistani apples for sale at a roadside market.

© Simon Norfolk / Gallery Luisotti

Pakistani apples for sale at a roadside market.
Pakistani apples for sale at a roadside market.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Pakistani apples for sale at a roadside market.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedAfghanistan
MediumChromogenic print
DimensionsImage: 14 5/16 × 19 1/8 in. (36.4 × 48.5 cm)
 Sheet: 15 x 20 in. (38.1 x 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.34
Non exposé

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Norfolk prints are signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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Pakistani ‘jingle trucks’ end their long journey up from Karachi at the gates of Kandahar Airfield where they wait to be scanned, X-rayed and searched. Only people, ammunition and emergency requirements come by aircraft. Warlord-owned security companies protecting convoys can charge $15,000 per truck, but a large part of the fee is paid to Taliban protection rackets.
Simon Norfolk
Pakistani ‘jingle trucks’ end their long journey up from Karachi at the gates of Kandahar Airfield where they wait to be scanned, X-rayed and searched. Only people, ammunition and emergency requirements come by aircraft. Warlord-owned security companies protecting convoys can charge $15,000 per truck, but a large part of the fee is paid to Taliban protection rackets.
2010–2011, printed September 2011
Chromogenic print
2016.224.77
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
Simon Norfolk
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
2010–2011, printed September 2011
Chromogenic print
2016.224.32
An informal market in the ‘Mikrorayon 4’ housing area, covered up for the night.
Simon Norfolk
An informal market in the ‘Mikrorayon 4’ housing area, covered up for the night.
2010–2011, printed September 2011
Chromogenic print
2016.224.33
A cellphone booster-station built on the wreckage of buildings that once housed a market.
Simon Norfolk
A cellphone booster-station built on the wreckage of buildings that once housed a market.
2010–2011, printed September 2011
Chromogenic print
2016.224.18
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
A Shia cemetery on the flanks of Kohe Asmai.
Simon Norfolk
A Shia cemetery on the flanks of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.43
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
Simon Norfolk
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
2010–2011, printed September 2011
Chromogenic print
2016.224.44
The entrance to a small, western-backed NGO.
Simon Norfolk
The entrance to a small, western-backed NGO.
2010–2011, printed September 2011
Chromogenic print
2016.224.41
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
Simon Norfolk
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
2010–2011, printed September 2011
Chromogenic print
2016.224.42
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
Simon Norfolk
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
2010–2011, printed September 2011
Chromogenic print
2016.224.12
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
Simon Norfolk
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
2010–2011, printed September 2011
Chromogenic print
2016.224.40
A view of Kabul city centre from Bala Burj.
Simon Norfolk
A view of Kabul city centre from Bala Burj.
2010–2011, printed September 2011
Chromogenic print
2016.224.49