Simon Norfolk
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.

Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.

© Simon Norfolk / Gallery Luisotti

Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedKabul, Afghanistan
MediumChromogenic print
DimensionsImage: 14 9/16 × 10 7/8 in. (37 × 27.6 cm)
 Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.2
Non exposé

Explore Further

Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
Simon Norfolk
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
2010–2011, printed September 2011
Chromogenic print
2016.224.61
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
Simon Norfolk
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.8
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
Simon Norfolk
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
2010–2011, printed September 2011
Chromogenic print
2016.224.14
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
Simon Norfolk
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
2010–2011, printed September 2011
Chromogenic print
2016.224.60
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
Simon Norfolk
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
2010–2011, printed September 2011
Chromogenic print
2016.224.7
Yards supplying construction materials in Nawabadi Guzargah district of Kabul, overlooked by American-controlled electronic eavesdropping equipment on the summit of Kohe Asmai.
Simon Norfolk
Yards supplying construction materials in Nawabadi Guzargah district of Kabul, overlooked by American-controlled electronic eavesdropping equipment on the summit of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.38
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
Simon Norfolk
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
2010–2011, printed September 2011
Chromogenic print
2016.224.5
A de-mining team from the Mine Detection Centre in Kabul with a member of the German Police who is mentoring them.
Simon Norfolk
A de-mining team from the Mine Detection Centre in Kabul with a member of the German Police who is mentoring them.
2010–2011, printed September 2011
Chromogenic print
2016.224.52
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
Simon Norfolk
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
2010–2011, printed September 2011
Chromogenic print
2016.224.54