Simon Norfolk
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.

The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.

© Simon Norfolk / Gallery Luisotti

The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedKabul, Afghanistan
MediumChromogenic print
DimensionsImage: 14 1/2 × 19 1/4 in. (36.8 × 48.9 cm)
 Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.8
Non exposé

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
Simon Norfolk
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
2010–2011, printed September 2011
Chromogenic print
2016.224.14
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
Simon Norfolk
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
2010–2011, printed September 2011
Chromogenic print
2016.224.21
On the very northern edge of Kabul. A shipping container is re-purposed as home to men working in a yard casting concrete blast walls. Each section, when sold to foreign embassies or the military, fetches $1000 per piece.
Simon Norfolk
On the very northern edge of Kabul. A shipping container is re-purposed as home to men working in a yard casting concrete blast walls. Each section, when sold to foreign embassies or the military, fetches $1000 per piece.
2010–2011, printed September 2011
Chromogenic print
2016.224.15
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
Simon Norfolk
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
2010–2011, printed September 2011
Chromogenic print
2016.224.10
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3
Unfinished, speculative property development near Kabul Airport.
Simon Norfolk
Unfinished, speculative property development near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.30
Entrance to the vast City Star Hall complex of wedding halls, on the new bypass out near Kabul Airport.
Simon Norfolk
Entrance to the vast City Star Hall complex of wedding halls, on the new bypass out near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.16
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
Simon Norfolk
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
2010–2011, printed September 2011
Chromogenic print
2016.224.54
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
Simon Norfolk
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
2010–2011, printed September 2011
Chromogenic print
2016.224.60
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
Simon Norfolk
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.2
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
Simon Norfolk
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.35