sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Menu Collections

Apple, New York Times, February 8, 2011

Apple, New York Times, February 8, 2011

© Carter Mull

Apple, New York Times, February 8, 2011
Apple, New York Times, February 8, 2011
ArtistAmerican, born 1977
CultureAmerican
Titles
  • Apple, New York Times, February 8, 2011
Date2011
MediumInkjet print collage
DimensionsSheet: 26 × 29 1/16 in. (66 × 73.8 cm)
Credit LineGift of John A. MacMahon in honor of Candace Waddell MacMahon
Object number2017.450
Non exposé

Explore Further

Department
Photography
DescriptionCarter
Mull’s photo-drawing combines recent reporting on the democracy-making movement
in Egypt and the importance of technology and information in that effort, as
visualized in a photograph found on the front page of the February 8, 2011,
issue of the New York Times.


 



 



The photograph shows a group of young Egyptian
men working with an Apple-branded laptop computer to network and campaign
against dictator Hosni Mubarak. Inspired by the brand’s symbolic prominence and
the effectiveness of virtual communication in the process of mass empowerment
and democracy making, Mull photographed an apple in his Los Angeles studio. He
then color-manipulated the Times
photo and collaged it onto his apple photograph, and added a drawing.

ProvenanceJohn A. MacMahon; given to MFAH, 2017.
Exhibition History"Utopia/ Dystopia: Construction and Destruction in Photography and Collage," Museum of Fine Arts, Houston, 11 March - 10 June, 2012.
Published References (2012) Yasufumi, N. Utopia/Dystopia: Construction and Destruction in Photography and Collage, [Houston] : Museum of Fine Arts, Houston ; New Haven : Distributed by Yale University Press: pl. 10, back cover. Inscriptions, Signatures and Marks
No inscription visible
No signature visible
N/A

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Carter Mull
2012
Chromogenic print collage
2017.456
Overall recto.
Deborah Roberts
2017
Collage of inkjet prints with acrylic and graphite on wove paper
2023.572
The Inconvenient citizen
Deborah Roberts
2021
Collage of acrylic, graphite, pastel, and inkjet prints
2021.395
Overall recto.
Jane Hammond
2023
Botanical collage using linoleum cut, relief, inkjet print, colored pencil, Sumi ink, watercolor and gouache, hand cut and assembled on collaged Japanese papers over cotton rag
2023.686
Image provided by dealer.
Dana Newmann
1973
Collage, hand-tinted vintage photographs
2026.198
Matthew Buckingham
2002
Chromogenic print collage
2012.449
Afternoon Tea
Dorothy Hood
c. 1982–1997
Collage of cut and pasted color halftone print, acrylic on torn and pasted halftone print, and leaf, on acrylic on wove paper
2020.287
The Window of Formality
Dorothy Hood
c. 1982–1997
Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper
2020.286
Image provided by curatorial.
James Drake
1990
Collage of newspaper print, offset lithograph, charcoal, ballpoint pen, and graphite on wove paper
2024.1149
Military Maneuvers in a Georgia Swamp
Nathan Gluck
1941
Collage of woodcut and letterpress halftone prints on wove paper
2026.8
Untitled
Nathan Gluck
1943
Collage of cut letterpress halftone print and woodcut, gouache and graphite on printed wove paper
2026.9
Untitled
Huma Bhabha
2014
Ink, acrylic, and collage on chromogenic print
2017.282
Carter Mull