Matthew Buckingham
Canal Street Canal, No. 2

Image non disponible pour Canal Street Canal, No. 2

© Matthew Buckingham

Canal Street Canal, No. 2
Image non disponible pour Canal Street Canal, No. 2
ArtistAmerican, born 1963
CultureAmerican
Titles
  • Canal Street Canal, No. 2
Date2002
Place depictedNew York, New York, United States
MediumChromogenic print collage
DimensionsImage: 3 15/16 × 6 in. (10 × 15.2 cm)
 Sheet: 3 15/16 × 6 in. (10 × 15.2 cm)
 Mount: 13 3/16 × 11 1/8 in. (33.5 × 28.3 cm)
Credit LineMuseum purchase funded by Judy Nyquist, Carey C. Shuart, and Cynthia Toles
Object number2012.449
Non exposé

Explore Further

Department
Photography
Object Type
DescriptionUtilizing photography, film, video, audio, writing, and drawing, Matthew Buckingham’s work questions the role that social memory plays in contemporary life. Canal Street, Canal No. 2 is a photo-collage that the artist created in relation to a mass-produced postcard that was originally shown in a site-specific exhibition on Canal Street, in New York City. (The postcard was sold by vendors on Canal Street alongside ordinary postcards usually sold to tourists.) Canal Street takes its name from a small drainage ditch that replaced a natural stream in lower Manhattan in the late 18th century. Prior to that transformation, a proposal was made to convert the stream into a shipping canal and the area into a commercial harbor. The postcard, instead of providing New York City visitors with a souvenir view of Canal Street as it is, helps viewers imagine an alternative past, implicitly asking if it is possible to be nostalgic for something that never was.
ProvenanceArtist, New York City, 2002; Murray Guy Gallery, New York City, 2002; Museum of Fine Arts, Houston, Texas, 2012
Exhibition History"Utopia/ Dystopia: Construction and Destruction in Photography and Collage," Museum of Fine Arts, Houston, 11 March - 10 June, 2012.
Inscriptions, Signatures and Marks
Inscribed in pencil verso lower left: CANAL STREET CANAL NO. 2, MB 2002
Initialed recto LL in pencil: MB 2002

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

The Street (#89)
Anne Ryan
The Street (#89)
c. 1948–1954
Collage on paper, mounted on paper
79.33
Untitled
Huma Bhabha
Untitled
2014
Ink, acrylic, and collage on chromogenic print
2017.282
Untitled
Huma Bhabha
Untitled
2014
India ink and collage on chromogenic print
2016.40
The Inconvenient citizen
Deborah Roberts
The Inconvenient citizen
2021
Collage of acrylic, graphite, pastel, and inkjet prints
2021.395
Overall recto.
Deborah Roberts
Red Antlers
2017
Collage of inkjet prints with acrylic and graphite on wove paper
2023.572
Apple, New York Times, February 8, 2011
Carter Mull
Apple, New York Times, February 8, 2011
2011
Inkjet print collage
2017.450
Afternoon Tea
Dorothy Hood
Afternoon Tea
Collage of cut and pasted color halftone print, acrylic on torn and pasted halftone print, and leaf, on acrylic on wove paper
2020.287
The Window of Formality
Dorothy Hood
The Window of Formality
c. 1982–1997
Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper
2020.286
Untitled
Dorothy Hood
Untitled
c. 1982
Collage of encaustic on newsprint, watercolor and pastel on wove paper, torn halftone print and metal foil on Japanese paper, on paper board
2017.216
Overall recto.
Jane Hammond
Russian Bucket with Black Pussy Willow, Venus Fly Trap and Morning Glory
2023
Botanical collage using linoleum cut, relief, inkjet print, colored pencil, Sumi ink, watercolor and gouache, hand cut and assembled on collaged Japanese papers over cotton rag
2023.686
The Early Work (Excerpt)
Justine Kurland
The Early Work (Excerpt)
2022
Collage
2023.130
And the beat goes on…
Kaima Marie Akarue
And the beat goes on…
2023
Paper collage
2024.310