Franz Marc
Ruhende Pferde (Resting Horses)

ArtistGerman, 1880–1916
CultureGerman
Titles
  • Ruhende Pferde (Resting Horses)
Date1911–1912, printed 1916
Published inBerlin, Germany
MediumWoodcut in in black, blue, and green on Japanese paper
DimensionsBlock: 6 5/8 × 9 1/16 in. (16.8 × 23 cm)
Sheet: 10 × 11 1/2 in. (25.4 × 29.2 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2011.211
Non exposé

Explore Further

Object Type
Provenance Research Ongoing Exhibition History"The Rise of Modernism: Europe and America," The Museum of Fine Arts Houston, Oct. 28, 2020 – July 27, 2021. [Inaugural Installation: Kinder Building 207: No Catalog]
Inscriptions, Signatures and Marks
Verso: Signed in graphite, center bottom edge: Maria Marc
Verso: Signed in graphite, center bottom edge: Maria Marc
Verso: Stamp in faded ink, left bottom edge: [illegible, possibly estate stamp]
Catalogue raisonnéLangheit 825

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Tierlegende (Animal Legend)
Franz Marc
1912
Woodcut on Japanese paper
39.112
Schopfungsgeschichte II (Genesis II)
Franz Marc
1914
Woodcut in colors on Japanese paper
39.113
Overall recto
Comte de Caylus
1729–1742
Chiaroscuro woodcut printed in blue and green on line etching with engraved inscription printed in black ink on laid paper
2022.268
Tête de Flore (Head of Flora)
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
Overall recto.
Jim Dine
2011
Lithograph in black and blue with soft ground etching and watercolor in green and reddish brown on wove paper, edition 1/11
2022.412
Moroccan Door
Howard Hodgkin
1991
Collagraph with carborundum in blue with egg tempera with hand color in ivory, black, and Veronese green, on wove paper, edition 23/55
2005.1189
recto of sheet
Max Ernst
c. 1971
Lithograph in green, blue, and black, edition 51/125
91.1630.13
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Overall recto, closed.
Tom Hück
2018–2022
Woodcut, printed recto and verso on four sheets of Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with printed stickers; edition 19/30
2023.219.A-.C
Untitled [8]
Terry Winters
1998
Woodcut in white, with black ink wash on Japanese paper, edition 10/35
2016.90.8
Untitled [9]
Terry Winters
1998
Woodcut in white, with black ink wash on Japanese paper, edition 10/35
2016.90.9
Untitled [7]
Terry Winters
1998
Woodcut in white, with black ink wash on Japanese paper, edition 10/35
2016.90.7