Jim Dine
New Mexican Aloe

Overall recto.

© Jim Dine/Artists Rights Society (ARS), New York.

New Mexican Aloe
Overall recto.
ArtistAmerican, born 1935
CultureAmerican
Titles
  • New Mexican Aloe
Date2011
MediumLithograph in black and blue with soft ground etching and watercolor in green and reddish brown on wove paper, edition 1/11
DimensionsImage/Sheet: 44 7/8 × 30 1/16 in. (114 × 76.3 cm)
Credit LineGift of Michael W. Dale
Object number2022.412
Current Location
The Nancy and Rich Kinder Building
Gallery 207
Exposé

Explore Further

Object Type
ProvenanceThe artist and Tamarind Institute, New Mexico, 2010-2011; Michael Dale, Houston, 2022; given to MFAH, 2022
Exhibition HistoryNone known.
Inscriptions, Signatures and Marks
Recto: Recto: Editioned, signed, and dated in black ink, in image, bottom left corner: 1/11 Jim Dine [cursive] 2011
Verso: Inscribed in graphite, bottom left corner: 10.301 / White Rives BFK
Recto: Editioned, signed, and dated in blackink, in image, bottom left corner: 1/11 Jim Dine [cursive] 2011
Verso: Chopmark, bottom left corner: [Tamarind Institute]
Verso: Watermark, bottom right corner
Catalogue raisonnéDine, Jim, Jim Dine: I print, Catalogue Raisonne of Prints, 2001 2020. Steidl, 2021

Cataloguing data may change with further research.

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Mabel [3]
Jim Dine
1977
Soft ground etching on wove paper, edition 16/60
84.22
Day Six
John Cage
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Art
Jim Dine
1968
Offset lithograph and screenprint in green and red on wove paper, edition 23/144
97.715
Perón, Perón
Luis Fernando Benedit
1996
Crayon, graphite, reddish brown gel pen, black tape and electrostatic print on wove paper, wood, plaster, acrylic, epoxy, and projected light
2010.1490
Tête de Flore (Head of Flora)
Louis-Marin Bonnet
1769
Pastel-manner engraving printed from eight plates in blue-green, dark-blue, pink-terracotta, brown, carmine, umber, black, and white with additional color printed à la poupée on laid paper, state I/II
2022.246
Untitled [1]
John Baldessari
1982
Photoetching, etching, aquatint, and soft ground etching in gray, black, and blue, edition 9/35
96.1.1
Day Seven
John Cage
January 8, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, gold, and blue, edition 20/25
78.57.7
Effects of Sunlight, St. Peter's Colonnades
Hubert Robert
c. 1762
Pen and brown ink and brown wash with white pigment on laid paper, laid down on laid paper with blue (partially faded to green) laid paper border and ruled in black ink
2023.190
Untitled [8]
John Baldessari
1982
Photoetching, soft ground etching, and sugar lift aquatint in black and green, edition 9/35
96.1.8
José Luis Cuevas
1971
Lithograph in green, black, and brown, edition 63/100
93.426.8
Essences 14
Louise Nevelson
1977
Soft ground etching on wove paper, edition 11/30
84.458
Drag
Jim Dine
1967
Photoetching, aquatint, and stencil in colors on wove paper, edition 18/53
91.1859