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Ambroise Louis Garneray
c. 1819
Mezzotint with etching, engraving and watercolor on wove paper
B.60.91.1
c. 1750–1800
Mahogany; maple, white pine, and original wool needlework on linen canvas
B.60.89
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.8
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.7
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.6
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.4
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.3
c. 1785–1820
Mahogany; eastern white pine, ash, red oak, sweetgum, and black cherry
B.60.37.2
Christopher Townsend
c. 1750–1755
Mahogany; yellow-poplar, eastern white pine, and chestnut
B.59.96
Edward Spalding
c. 1765–1785
Mahogany; chestnut, white oak, black cherry, eastern white pine, southern yellow pine, and cherry
B.59.83
c. 1750–1801
Mahogany; red oak, yellow-poplar, southern yellow pine, white oak, and eastern white pine
B.59.73
Charles Balthazar Julien Févret de Saint-Mémin
c. 1804
Black chalk heightened with white on pink paper
B.59.52
c. 1760–1800
Mahogany; southern yellow pine, yellow-poplar, and Atlantic white cedar
B.58.147