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Martha Tuttle
2022
Three-part print with found metal intaglio, woodblock, and pressure relief on Rives BFK paper, edition 3/20
2022.326.A-.C
Loretta Pettway
2006
Color softground and hardground etching with aquatint and spitbite aquatint on Somerset white textured wove paper, edition 28/50
2022.89
Essie Bendolph Pettway
2020
Color softground etching with aquatint on Rives BFK White wove paper, edition 16/50
2022.88
Jacques Villon
1907
Etching, aquatint, and drypoint on laid Japan paper, edition 32/50
2021.620
Grafton Tyler Brown
1884–1886
Graphite on paper
2023.253
James Abbott McNeill Whistler
1859
Etching with drypoint on wove paper, state III/IV
2021.616
James Abbott McNeill Whistler
1858
Etching with drypoint on laid paper, state IV/IV
2021.617
James Abbott McNeill Whistler
1858
Etching with drypoint on laid paper, state V/V
2021.618
Honoré Daumier
1857
Lithograph on vélin mince, printer's certificate proof of state II/II
2022.312
Robert Sargent Austin
1921
Etching on cream laid paper, state II/II, from the edition of 40
2022.314
Robert Sargent Austin
October 1934
Engraving on ivory wove paper, sixth state
2022.313
Jusepe de Ribera
1621
Etching with engraving on laid paper, state I/II
2022.310
Albrecht Dürer
1511
Woodcut on wove paper, proof before the edition of 1511
2022.309
John Taylor Arms
1940
Etching and aquatint on laid paper, state III/III, from the edition of approximately 413
2022.316
John Taylor Arms
1930
Etching on cream laid paper, state II/II, from the edition of 140
2022.315
Cornelia Thomsen
2023
Aquatint with plate tone on Hahnemühle paper, edition 4/12
2023.242.7
Cornelia Thomsen
2023
Aquatint with plate tone on Hahnemühle paper, edition 4/12
2023.242.8