Tunga
Lezart I

Lezart I

© 1989, Tunga. Image Courtesy of the artist and Luhring Augustine, New York

Lezart I
Lezart I
ArtistBrazilian, 1952–2016
CultureBrazilian
Titles
  • Lezart I
Date1989
MediumIron, copper, magnets, and embroidered silk
Dimensions196 7/8 × 315 × 137 3/4 in. (500.1 × 800.1 × 349.9 cm)
Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
Object number2009.572
Not on view

Explore Further

Object Type
DescriptionThe contemporary artist Tunga makes enigmatic sculpture and installations that combine traditions of Brazilian Constructivism and Surrealism to create a unique visual language. Lezart is a highly complex installation that is constructed of elemental substances such as copper, iron, and magnets. Its forms—combs, lizards, strands of hair—bear metaphoric and narrative links rooted in fictional writings by the artist. This piece is strongly related to a recurring text and performance involving the tale of Siamese twins, joined by the hair, who are sacrificed at puberty. Their salvaged scalp is passed on to a woman who extracts blond hairs from it to embroider an image from her dreams. As she does this, the threads turn to gold. The title of the piece, Lezart, refers directly to the cast-metal lizards that are found throughout the work and that continue the Siamese twin motif through a hybrid creature whose body ends in two heads or two tails. Tunga’s compelling vision, as it plays out in sculpture, installation, text, and performance, relies on age-old symbols, evocations of childhood fairy tales, and alchemical transformation that engage the viewer in the seductive materiality of the artist's sculpture and the myth surrounding its creation.
ProvenanceThe artist; [Luhring Augustine Gallery, New York]; sold to MFAH, 2009.
Exhibition HistoryWhitechapel, London, England, 1989

Kanaal Art Foundation, Kortrijk, Belgium, 1989

"INTERSECTIONS," The Power Plant Contemporary Gallery, Toronto, Canada, 1990.

"Tunga 1977 - 1997," Center for Curatorial Studies, Bard College, NY, USA, 1997; Museum of Contemporary Art, Miami, Florida, USA, 1997; Museo Alejandro Otero, Caracas, Venezuela, 1998.

Galerie Nationale du Jeu de Paume, Paris, France, 2001.

Museu Vale, Vila Velha, Espírito Santo, Brazil, 2007.

Museum of Fine Arts, Houston, Texas, USA, 2009.

"Contingent Beauty." Museum of Fine Arts, Houston. November 22, 2015 - February 28th, 2016




Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Studio A.R.D.I.T.I.
designed 1971, made c. 1971–73
Lacquered wood, chromed steel, steel wire, Perspex, magnets and bulbs
2019.322
Forquilha
Tunga
2014
Iron, bronze, ceramic, leather, linen, rock crystal, plaster, mercury, and glass
2018.30
Ronald Morán
2009/2018
Ironing board, pot, table, bottle, chair, iron, pan, laddle, cup, gas tank, stool, machete, knife, and mug with polyester foam coating
2018.364.1-.14
Windows at Midnight
Marilyn Moore
2000
Magnet wire, copper, and stainless steel
2009.1166
Paisaje urbano I
Darío Escobar
2011
Serigraphed wood
2015.507
Scalp
Tunga
c. 2003
Bronze and brass wire
2012.510
Requiem
Adriana Corral
2019
Dates hand carved into drywall
2022.51.B
Requiem
Vincent Valdez
2019
Clay, cast bronze, and ash
2022.51.A
Requiem
Vincent Valdez
2019
Clay, cast bronze, ash; dates hand carved into drywall
2022.51.A,.B
Additive Color Crosswalk  [Northside intersection of Main St. and Bissonnet]
Carlos Cruz-Diez
designed c.1960, executed 2009
Paint on pavement
2009.523.2
Additive Color Crosswalk [Bissonnet St]
Carlos Cruz-Diez
designed c.1960, executed 2009
Paint on pavement
2009.523.1
Crosswalks of Additive Color [Intersection of Main St. and Bissonnet St.]
Carlos Cruz-Diez
designed c.1960, executed 2011
Paint on pavement
2009.523.1-.5