James Smillie
The Voyage of Life: Childhood

ArtistAmerican, born Scotland, 1807–1885
ArtistAmerican, born England, 1801–1848
CultureAmerican
Titles
  • The Voyage of Life: Childhood
Datec. 1855
PlaceBoston, Massachusetts, United States
PlaceNew York, New York, United States
MediumEngraving on paper, proof
DimensionsImage: 15 1/8 × 22 3/4 in. (38.4 × 57.8 cm)
Plate: 19 1/2 × 25 1/2 in. (49.5 × 64.8 cm)
Sheet: 20 × 26 3/4 in. (50.8 × 67.9 cm)
Frame: 23 3/4 × 30 1/2 × 1 1/2 in. (60.3 × 77.5 × 3.8 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by Jay Baker, Larry Davis, Chip Gill, Sean Gorman, Lee Hancock, Jay Oates, M.D., David Pustka, Henri Tallichet, James B. Tennant, and Kane C. Weiner in honor of Dr. Robert Henry Fain at "One Great Night in November, 2006"
Object numberB.2006.9.1
Not on view

Explore Further

Department
Bayou Bend
Object Type
Description

Thomas Cole is recognized as the father of American landscape painting. Born in Lancashire, England, at the age of eighteen he immigrated with his parents and settled in Ohio. There he received the rudiments of painting from itinerant artists and subsequently moved to Philadelphia to study at the Pennsylvania Academy. By 1825, he was in New York executing landscapes. His powerful depictions of the Hudson River soon attracted the attention of patrons, as well as other artists.

In 1839, Cole secured a commission for a monumental series titled The Voyage of Life, which he completed and exhibited the following year. The series presents an allegory of the four ages of man, unfolding as a journey along the river of life. By 1842, Cole completed a copy of the work in Rome. He exhibited it there and, upon his return to America, in Boston and Philadelphia. Accompanying it was a written guide interpreting each of the scenes. Its popularity prompted the production of the series as a set of steel engravings.

The first image, Childhood, introduces all the important story elements of the series: the voyager, the angel, the river, and the expressive landscape. An infant is safely shielded in a boat guided by an angel. The landscape is lush; everything is calm and basking in warm sunshine, reflecting the innocence and joy of childhood. The boat glides out of a dark, craggy cave which Cole himself described as “emblematic of our earthly origin, and the mysterious Past.” The river is smooth and narrow, symbolizing the sheltered experience of childhood. The figurehead on the prow holds an hourglass representing time.


Provenance[The Philadelphia Print Shop, Philadelphia]; purchased by MFAH, 2006.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, below plate, left: PAINTED BY THOMAS COLE
Recto: Inscribed in printed ink, below plate, center: BOSTON—Published by B.B. Russell, 55 Cornhill.
Recto: Inscribed in printed ink, below plate, right: ENGRAVED BY JAMES SMILLIE
Recto: Inscribed in printed ink, below plate, left bottom edge: "Who shall preserve thee beautiful child? / Keep thee as thou art now / Bring thee a spirit undefiled / At God's pure throne to bow?” PROOF
Recto: Inscribed in printed ink, below plate, center bottom edge: THE VOYAGE OF LIFE _ CHILDHOOD. / From the original Painting by Thomas Cole, in the possession of Rev.d Gorham D. Abbott, Spingler Institute, New York. / Entered according to Act of Congress, U.S.A. by James Smillie in the Clerks Office of the U.S. District Court for the Southern District of New York.

Recto: Inscribed in printed ink, below plate, right bottom edge: “This world is but a bruised reed / And life grows early dim / Who shall be near thee in thy need / To lead thee up to Him? / He who Himself was undefiled / With Him we trust thee beautiful child." / Printed by J.H. Daniels, Boston.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

The Voyage of Life: Manhood
James Smillie
c. 1855
Engraving on paper, proof
B.2006.9.3
The Voyage of Life: Old Age
James Smillie
c. 1855
Engraving on paper, proof
B.2006.9.4
The Voyage of Life: Youth
James Smillie
c. 1855
Engraving on paper, proof
B.2006.9.2
Snuffbox
Albert Coles
1853
Silver with silver gilding
B.91.1
River Landscape with a Church in the Distance
Salomon van Ruysdael
c. 1655–1660
Oil on wood
2001.79
The Oxbow, Flooded, at the End of the Day
Stephen Hannock
1996
Acrylic and acrylic gel medium, oil, and alkaline pigments on canvas
96.1717
Maitreya
15th-16th Century
Gilt bronze and turquoise
2004.2403
Married Life
Strohmeyer & Wyman, New York, NY
1897
Gelatin silver prints, stereographs
2021.158.1-.17
Crown
16th–17th century
Hammered and repoussé gold
2006.538
Untitled (Victorian doll house with furnishings)
Yinka Shonibare CBE
2002
Cast resin, plastic, wood, paper, and fabric
2002.3561.A-.V
Funerary Mask
200 BC–200 AD
Gold
2004.2495
Hitoe (Summer Kimono with Sleeves)
1868–1912
Dyed and hand-painted silk gauze (monsha)
2019.502