Baron Adolf De Meyer
Baroness Olga de Meyer

ArtistAmerican, born France, 1868–1946
CultureAmerican
Titles
  • Baroness Olga de Meyer
Datec. 1900
MediumPlatinum print
DimensionsImage/Sheet:7 3/16 × 5 7/8 in. (18.3 × 14.9 cm)
Credit LineThe Sonia and Kaye Marvins Portrait Collection, museum purchase funded by Sonia and Kaye Marvins
Object number84.278
Not on view

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Department
Photography
Special Collections
Object Type
Description

Baron Adolf de Meyer was a member of the Linked Ring Brotherhood
of Pictorialist aesthetic photographers and a noted fashion photographer for
the Condé Nast publications
Vogue and
Vanity Fair. He
assumed photographic identities as readily as he appropriated titles and glided
from English royal circles to the Diaghilev avant-garde coterie to the glitter
of Hollywood. No less a gem in the crown of high society than her husband, Olga
de Meyer was the goddaughter (rumored to be the illegitimate daughter) of King
Edward VII of England. As early as the age of sixteen, Olga was a model for
painters such as JAM, Whistler and Paul Hellen and the inspiration for novels
by such luminaries as Henry James.



 



In this very early portrait of Olga, probably taken
soon after the de Meyers were married, her aristocratic bearing and strong,
piercing gaze evidence an indomitable spirit which cannot be concealed
completely by the elegant accoutrements of her wardrobe. The compositional balance,
studied and manipulated to perfection, is a trademark of de Meyer, whether it
appears in soft focus or is sharply delineated and dramatically staged.




Provenance[Staley-Wise Gallery, New York]; purchased by MFAH, 1984.
Exhibition HistoryExhibited: "A Singular Elegance: The Photographs of Baron Adolph de Meyer," at ICP, New York, NY, 12-10-1994 to 2-12-1995 (LN:94.3).

Exhibited: "Evocative Presence: Twentieth Century Photographs in the Museum Collection," The Museum of Fine Arts, Houston February 27 - May 1, 1988.

"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, 7 July 2012 - 2 January 2013.
Inscriptions, Signatures and Marks
no apparent inscriptions

Cataloguing data may change with further research.

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