Antônio Maluf
Estudo para cartaz da I Bienal de São Paulo

Estudo para cartaz da I Bienal de São Paulo

© Rose Maluf

Estudo para cartaz da I Bienal de São Paulo
Estudo para cartaz da I Bienal de São Paulo
ArtistBrazilian, 1926–2006
CultureBrazilian
Titles
  • Estudo para cartaz da I Bienal de São Paulo
  • Study for poster of First Biennial of São Paulo
Date1951
Made inBrazil
MediumTempera on board
DimensionsSheet: 29 × 20 5/16 in. (73.7 × 51.6 cm)
Mount: 37 3/4 × 25 1/2 in. (95.9 × 64.8 cm)
Credit LineThe Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by the Caroline Wiess Law Foundation
Object number2005.1016
Not on view

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Object Type
Description

The Adolpho Leirner Collection of Brazilian Constructive Art

Related ICAA documents:

 Waldemar Cordeiro, "Todos atentos," 1966 (record ID 1090623)

Ferreira Gullar, "Arte concreta no Brasil: etapas da pintura contemporânea XXXIX," 1960 (record ID 1090830)

Lourival Gomes Machado, [Letter] 1951 March 8, São Paulo [to] Yolanda Penteado, 1951 (record ID 1110824)


ProvenanceThe artist; [Galeria Seta, São Paulo]; Adolpho Leirner, São Paulo, January 22, 1985; sold to MFAH, 2005.

Exhibition HistoryMAM 40 anos. Museu de Arte Moderna de São Paulo. São Paulo, Brazil. April-May 1990.

Bienal Brasil Século XX. Fundação Bienal de São Paulo, Parque Ibirapuera. São Paulo, Brazil. April-May 1994.

Arte construtiva no Brasil: Coleção Adolpho Leirner. Museu de Arte Moderna de São Paulo. São Paulo, Brazil. October-December 1998.

Arte construtiva no Brasil: Coleção Adolpho Leirner. Museu de Arte Moderna do Rio de Janeiro. Rio de Janeiro, Brazil. January-March 1999.

Cuasi-corpus: arte concreto y neoconcreto de Brasil. MARCO Museo de Arte Contemporáneo. Monterrey, México. July-October 2003.

Cuasi-corpus: arte concreto y neoconcreto de Brasil. Museo Tamayo Arte Contemporáneo. Mexico City, México. February-June 2003.

Dimensions of Constructive Art in Brazil: The Adolpho Leirner Collection. Museum of Fine Arts, Houston. Houston, TX. May-September 2007.

Inscriptions, Signatures and Marks
[No inscriptions]
[Not signed]
[Not marked]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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