Unknown American
Pillow

CultureAmerican
Titles
  • Pillow
Datec. 1824–1825
Made inUnited States
MediumEngraved silk and beadwork
Dimensions7 × 5 3/4 × 3 1/4 in. (17.8 × 14.6 × 8.3 cm)
Credit LineThe Bayou Bend Collection, gift of Kay and Charles Handly in honor of Granville Conway, Ishbel Dunlap Fairleigh, and Dorothy Picou Vega
Object numberB.2004.50
Not on view

Explore Further

Department
Bayou Bend
Object Type
Description

As the fiftieth anniversary of the signing of the Declaration of Independence approached Americans were reminded of the series of events and figures central to the establishment of the young nation. In 1824, United States Congress extended an invitation to the Marquis de Lafayette to return to his adopted country. While he is said to have not expected “anything more than a generous and quiet welcome,” the Americans response surpassed anything Lafayette could have anticipated. Throughout the country, communities of every size established their own repertoire of celebratory parades, banquets, receptions, and balls.

Of course, the tour generated a variety of souvenirs on both sides of the Atlantic. The sale of Lafayette items was motivated as much by capitalism as it was by patriotism. The historical significance of the event was expressed in a more personal manner by specially decorated textiles ornamented with portraits and inscriptions. Many of these took the form of silk badges, gloves, handkerchiefs, and fans which adorned those attending the festive events.

This diminutive pillow celebrates Lafayette’s return as shown by the message appearing on the streamer in the eagle’s beak “A Grateful Nations Welcome Guest.” A young woman introduced a personal embellishment by incorporating a meandering vine of red and blue flowers, which, against the white silk background, suggested patriotism.


Provenance[Rex Stark – Americana, Gardner, Massachusetts]; purchased by MFAH, 2004.
Inscriptions, Signatures and Marks
Printed on the center of the pillow in the banner: "A Grateful Nations / Welcome Guest."
Printed on the center of the pillow in the scroll "BRANDYWINE. / GERMANTOWN / MONMOUTH / YORK TOWN Va. / LAFAYETTE / ...(some printing below the cartouche is covered by beadwork)"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Pillow
19th century (beadwork panel)
Silk, beadwork
94.836
Pillow or Bolster Cover
Unknown Indian
19th century
Silk, silver metallic thread
33.55
Finished Berlin Work Canvas for Men's Slippers (one of a pair)
Unknown American
c. 1850–1860
Wool, silk, and canvas
B.2005.17.2
Seat Cover
Unknown American
c. 1740–1780
Wool, silk, cotton, and linen
B.69.138.3
Finished Berlin Work Canvas for Men's Slippers (one of a pair)
Unknown American
c. 1850–1860
Wool, silk, and canvas
B.2005.17.1
Image provided by MFAH Conservation
Unknown American
c. 1875–1925
Silk fiber with gouache, ink, and thread
B.2005.13
Memorial Embroidered Picture
Unknown American
c. 1805–1815
Silk, linen, and gouache
B.86.13
Needlework Picture
Unknown English
c. 1780–1795
Silk on silk
B.54.13.1
Needlework Picture
Unknown English
c. 1780–1795
Silk on silk
B.54.13.2
Memorial Embroidered Picture
Eliza Carolina Dagen
c. 1822
Silk thread, silk chenille, metallic threads, metallic spangles, ink, and watercolor on twill-woven silk ground fabric
B.2022.4
Memorial Embroidered Picture
Almira Earle
c. 1815–1820
Silk taffeta, silk and silk chenille threads, and watercolor
B.70.52
Needlework Picture with Raised-Work Embroidery
Unknown English
mid- 17th–17th century
Silk and metal thread on linen
B.56.152