Artist
Michael Tracy American, born 1943
CultureAmerican
Titles
- Epiphany
Date1982
PlaceSan Ignacio, Texas, United States
MediumAcrylic on wood
Dimensions35 1/8 × 20 1/4 × 9 in. (89.2 × 51.4 × 22.9 cm)
Credit LineMuseum purchase funded by Louisa Stude Sarofim, Fayez Sarofim, Mr. and Mrs. I. H. Kempner III, Joan Fleming, and Ron Blankenship
Object number83.15
Not on view
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Department
Modern and Contemporary ArtObject Type
Exhibition HistoryExhibited: "Michael Tracy: Terminal Privileges", Project Studio (The Institute for Art & Urban Resources, Inc.), Long Island, NY, 11 Oct - 20 Dec 1987, Everson Museum of Art, Syracuse, NY, 12 Feb - 22 March, 1988 (LN:87.35)
Exhibited: "A Century of Sculpture in Texas, 1889 - 1989," Archer M Huntington Art Gallery, The University of Texas at Austin, Jun 16 _ Aug 13 1989 and traveling through Jun 3 1990 (LN:89.21)
Exhibited: "Crossing State Lines: Texas Art from the Museum of Fine Arts, Houston, " at The Museum of Fine Arts, Houston, 23 September 2000 -18 March 2001.
Cataloguing data may change with further research.
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![Memento Mori [Agony]](/internal/media/dispatcher/288936/thumbnail)
Michael Tracy
1973/1979
Acrylic on canvas with hair, metal spikes, and oil paint on wooden support covered with rebozos
81.286
Charles LeDray
2009
Laundry cart contents: purple satin bag; clear, white, and black hangers made from alumilite clear cast resin and galvanized steel wire; six pairs of trousers, one shirt, and two neckties made from various fabrics. Laundry bag with nylon cord, alumilite toggles, fabric, and thread, stuffed with fabric.
Palette: wood, nails, glue, wood stain, dirt.
Cart: wood frame with woven aluminum strips, 1/8-inch ungalvanized steel rod, clear acrylic spray coating, canvas, thread, vinyl, aluminum rivets, dirt, and newspaper ink.
Broom: wood handle and housing with bristles.
Floor: linoleum backed with canvas.
2010.221
