Robert Clark
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"

Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"

© Robert Clark

Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
ArtistAmerican, born 1961
CultureAmerican
Titles
  • Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
  • from the series The Texans
Date2002
MediumGelatin silver print
DimensionsImage: 12 9/16 × 10 1/16 in. (31.9 × 25.6 cm)
 Sheet: 14 × 10 7/8 in. (35.6 × 27.6 cm)
Credit LineMuseum commission, gift of Janice S. and Robert C. McNair and the Houston Texans
Object number2003.343
Not on view

Explore Further

Department
Photography
Object Type
Provenance[The Small Dark Room, New York]; commissioned by MFAH, 2003.
Exhibition HistoryExhibited at the Museum of Fine Arts, Houston, Upper Brown Gallery, "First Down Houston: The Birth of an NFL Franchise," Sept. 21, 2003 - Feb. 8, 2004

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
Robert Clark
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
2002
Gelatin silver print
2003.413
Tight End Billy Miller Reacts to a Referee's Call
Robert Clark
Tight End Billy Miller Reacts to a Referee's Call
2002
Gelatin silver print
2003.390
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
Simon Norfolk
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
2010–2011, printed September 2011
Chromogenic print
2016.224.90
How Many Things Can You Find Wrong with this Picture?
Les Krims
How Many Things Can You Find Wrong with this Picture?
1976–1977, printed 1979
Gelatin silver print
78.162
Time Devours All Things
Ruth Thorne-Thomsen
Time Devours All Things
1997
Gelatin silver print
98.189
"All Things Dark and Terrible" Plate
Grayson Perry
"All Things Dark and Terrible" Plate
1988
Ceramic
2007.1011
All Things Mellow in the Mind
Duane Michals
All Things Mellow in the Mind
1986, printed 2002
Photogravure
2002.75.10
Image Not Available for "I Do Refer Me to the Oracle"
Thomas Nast
"I Do Refer Me to the Oracle"
1879
Wood engraving on newsprint
89.714.1
Gary Walker, All-Pro Defensive Tackle
Robert Clark
Gary Walker, All-Pro Defensive Tackle
2002
Gelatin silver print
2003.344
Aaron Glenn, All-Pro Cornerback
Robert Clark
Aaron Glenn, All-Pro Cornerback
2002
Gelatin silver print
2003.360
Billy Mann, Tulsa
Larry Clark
Billy Mann, Tulsa
1968, printed 2010
Gelatin silver print
2022.204
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22