Edward Steichen
View of Brancusi Studio

View of Brancusi Studio

© The Estate of Edward Steichen / Artists Rights Society (ARS), New York

View of Brancusi Studio
View of Brancusi Studio
ArtistAmerican, born Luxembourg, 1879–1973
CultureAmerican
Titles
  • View of Brancusi Studio
Datec. 1920
PlaceParis, France
MediumGelatin silver print
DimensionsImage: 9 5/8 × 7 5/8 in. (24.4 × 19.4 cm)
Sheet: 9 15/16 × 7 7/8 in. (25.2 × 20 cm)
Credit LineMuseum purchase funded by Lucile Bowden Johnson in honor of Frances G. McLanahan and Alexander K. McLanahan
Object number82.159
Not on view

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Department
Photography
Object Type
DescriptionWhile photographing sculpture in the studio of Auguste Rodin in 1907, Steichen met Constantin Brancusi, who was then Rodin’s assistant, and the two became lifelong friends. A dozen years after making Romantic, painterly depictions of Rodin’s sculpture, Steichen photographed Brancusi’s studio in a style as radically different from his earlier work as Brancusi’s modern sculpture was from Rodin’s. This view of the studio shows several identifiable works, including Cup (1917), Endless Column (1918), and, at the center, the elegant, polished bronze Golden Bird (1919), which soars above the other forms. Such carefully orchestrated compositions, printed on gelatin silver paper without darkroom manipulation, are characteristic of the formal studio portraits Steichen would make for Vanity Fair and Vogue beginning in 1923.
Provenance[Prakapas Gallery, Bronxville, New York]; purchased by MFAH, 1982.
Exhibition HistoryExhibited: "In Quest of Excellence," Center for the Fine Arts, Miami, 12 Jan - 22 April 1984 (LN:84.10)

Exhibited: "Evocative Presence: Twentieth Century Photographs in the Museum Collection", The Museum of Fine Arts, Houston February 27 - May 1, 1988.

“A History of Photography II: Selections from the Museum's Collection,” The Museum of Fine Arts, Houston, March 17–July 19, 2015.

Inscriptions, Signatures and Marks
verso bottom left in pencil " 80.10.19.1 "

Cataloguing data may change with further research.

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