David Octavius Hill
David Octavius Hill at the Gate of Rock House

ArtistScottish, 1802–1870
ArtistScottish, 1821–1848
CultureScottish
Titles
  • David Octavius Hill at the Gate of Rock House
Date1843
MediumSalted paper print from paper negative
DimensionsImage: 7 15/16 × 6 3/16 in. (20.2 × 15.7 cm)
Sheet: 8 7/16 × 6 7/16 in. (21.4 × 16.4 cm)
Credit LineMuseum purchase funded by The Brown Foundation, Inc., The Manfred Heiting Collection
Object number2004.500
Not on view

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Department
Photography
Object Type
DescriptionIn four and a half years and nearly three thousand images, the Scottish team of Hill and Adamson pioneered the aesthetic terrain of photography, creating the earliest substantial body of self-consciously artistic work in the new medium. Hill was a locally prominent painter in Edinburgh with a keen sense of composition and an affable manner that put his sitters at ease; Adamson, twenty years his junior, brought to the partnership an extraordinary mastery of the negative-positive photographic process invented just a few years earlier by the Englishman William Henry Fox Talbot. Although Hill and Adamson’s portraits lacked the extraordinary precision of contemporaneous daguerreotypes, they were much admired for the warm tones and Rembrandtesque massing of light and shadow that were characteristics of Talbot’s process. Hill, handsome and naturally relaxed in front of the camera, here stands at the entrance to Adamson’s studio, Rock House.
ProvenanceChristie's, London, October 20, 1993; Robert Hershkowitz Ltd, London.

Bought by Manfred Heiting from Robert Hershkowitz Limited on 12/9/1989.
Exhibition History"Self, Model, and Self as Other," The Museum of Fine Arts, Houston,13 July – 29 September, 2013.

“A History of Photography II: Selections from the Museum's Collection,” The Museum of Fine Arts, Houston, March 17–July 19, 2015.
Inscriptions, Signatures and Marks
Marked in pencil, verso, lower left corner of image: "7"
Marked in white, recto of image, bottom: "D O Hill [indecipherable]"

Cataloguing data may change with further research.

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1843–1844
Salted paper print from paper negative
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Salted paper print from paper negative
2004.485
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Salted paper print from paper negative
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1843–1844
Salted paper print from paper negative
2004.521