Abraham Palatnik
Aparelho cinecromático

Aparelho cinecromático

© Abraham Palatnik

Aparelho cinecromático
Aparelho cinecromático
ArtistBrazilian, 1928–2020
CultureBrazilian
Titles
  • Aparelho cinecromático
  • Chromo-kinetic set
Date1962
PlaceBrazil, South America
MediumWooden box with plastic cover, electric motor, colored light bulbs linked to a programmed electric circuit and cardboard paddles
Dimensions38 1/8 × 28 3/4 × 7 1/2 in. (96.8 × 73 × 19.1 cm)
Credit LineThe Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
Object number2007.21
Not on view

Explore Further

Description



In 1950 Abraham Palatnik began working on his series of “chromo-kinetic” compositions that earned him the first prize at the São Paulo Biennial of 1951. His Aparelho cinecromático, for example, consists of a system of moving paddles and colored lightbulbs alternating on and off within a box. The slow movements as well as lights and shadows produced by these elements dramatically fill the box’s translucent surface with biomorphic shapes in reds, blues, and greens that appear in constant and endless transformation. By containing the movement inside a defined structure, Palatnik creates an abstract painting that is in constant motion.



The Adolpho Leirner Collection of Brazilian Constructive Art

Related ICAA documents:

Waldemar Cordeiro, "Todos atentos," 1966 (record ID 1090623)

Frederico Morais, "Abraham Palatnik: um pioneiro de arte technnológica," 2000 (record ID 1110793)

Walter Zanini, "Primeiros tempos da arte / tecnhologia no Brasil," 1997 (record ID 1111029)


ProvenanceThe artist; [...]; Adolpho Leirner, São Paulo; sold to MFAH, 2007.
Exhibition History"Magie de (?) lumere," Galerie Denise Rene, Paris.

"Art and Movement," Tel Aviv Museum of Art.

"Bienal Brasil Século XX," Fundação Bienal de São Paulo, April–May, 1994.

"Arte construtiva no Brasil: Coleção Adolpho Leirner," Museu de Arte Moderna de São Paulo, October–December, 1998; Museu de Arte Moderna do Rio de Janeiro, January–March, 1999.

"Mostra do redescobrimento: arte moderna - Brasil 500 anos artes visuais," Fundação Bienal de São Paulo, April–September, 2000.

"Heterotopías: medio siglo sin-lugar: 1918-1968," Museo Nacional Centro de Arte Reina Sofía, Madrid, December, 2000–February, 2001.

"Pioneiro Palatnik: máquinas de pintar e máquinas de desacelerar," Instituto Itaú Cultural, São Paulo, May–July, 2002.

"Inverted Utopias: The Avant-Garde in Latin America, 1920–1970," Museum of Fine Arts, Houston, June 20–September 12, 2004.

"Dimensions of Constructive Art in Brazil: The Adolpho Leirner Collection," Museum of Fine Arts, Houston, May 20–September 23, 2007.

"Color into Light: Selections from the MFAH Collection," Museum of Fine Arts, Houston, December 13, 2008–March 22, 2009.

"North Looks South: Building the Latin American Art Collection," Museum of Fine Arts, Houston, June 7–September 27, 2009.

"Adolpho Leirner Collection of Brazilian Constructive Art," Haus Konstruktiv, Zurich, November 12, 2009–February 21, 2010.

"Cosmic Dialogues," Museum of Fine Arts, Houston, May 14–August 23, 2015.

"Kinesthesia: Latin American Kinetic Art, 1954–1969," Palm Springs Art Museum, California, August 25, 2017–January 15, 2018.

Inscriptions, Signatures and Marks
Marked on verso in red marker: "SEQUENCIA (c) 27/ 0,97x0.73 5.5 MINUT"

Marked on verso above electric outlet: "110 VOLTS ONLY"

Marked on verso: "300 WATTS / TRANSFORMER"

Marked on verso next to appropriate switches: "MOTOR", "LIGHT"

Marked on verso center: "Palatnik"
Stamped on verso center: "PALATNIK / 64 / [signature]"

Marked in ink on verso center: "38/56"

Printed labels on verso - see photocopy for detail
1. "International Art Transport / ...PARIS... (torn)"
2. "GALERIE DENISE RENE PARIS / ... / EXPOSITION Magie da (?) lumere"
3. "... (foriegn script) / MUSEE DE TEL AVIV, ISRAEL / Exposition Art et Mouvement..."

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Image provided by MFAH Conservation
Gregorio Vardanega
1963–1979
Metal, light bulbs, and electric motor
2013.665.A-.G
Méta-Malevich
Jean Tinguely
1954
Shallow wooden box, metal attachments, wooden pulleys, round rubber belt, and electric motor
65.14
End of the Trail (with Electric Sunset)
Luis Jiménez
1971
Fiberglass and electric bulbs
2010.1759
Structure à lumiere instable no. 29
Horacio García Rossi
1966
Painted wood, Lucite rods, electric motor and lights
2004.1618
Radio Drawing
Jean Tinguely
1963
Clear sheet plastic support, two radios, two electric motors, electric wires, and red plastic fly-wheel
65.23
Espaces chromatiques carrées en spirale
Gregorio Vardanega
1968
Plexiglas, light bulbs, and motor
2010.173
Sept points (Seven Periods)
Jean Tinguely
1954
Shallow wood box, wood pulleys, round rubber belt, wire and paper attachments, and electric motor
65.22
Méta-matic No. 9
Jean Tinguely
1958
Round rubber belt, steel rods, painted sheet metal, wire wooden pulleys, two clothes pins, and electric motor
65.16
Méta-Kandinsky II
Jean Tinguely
1955
Wood panel, polychrome wood, metal, wooden pulleys, round rubber belt, and electric motor
65.15
Relief méta-mécanique (Metamechanical Relief)
Jean Tinguely
1954
Steel tube frame, steel wire, painted cardboard, and electric motor
65.13
Transmitter
Norman Kary
1987
Rusted steel, electric motor, and electric cord
2006.395
La Bascule VII (The Seesaw VII)
Jean Tinguely
1967
Iron rocker bars, wood fly-wheel, steel tube, rubber V-belt, and electric motor
68.44