Artist
Henry Moore (British, 1898–1986)British, 1898–1986
CultureEnglish
Titles
- Reclining and Seated Figures
Date1980, dated 1981
MediumCharcoal, white wax crayon, black chinagraph, watercolor, and gouache on white wove paper
Dimensions9 3/4 × 13 7/8 in. (24.8 × 35.2 cm)
Mount/mat: 19 × 22 1/4 in. (48.3 × 56.5 cm)
Frame: 21 1/4 × 24 1/2 × 1 1/4 in. (54 × 62.2 × 3.2 cm)
Mount/mat: 19 × 22 1/4 in. (48.3 × 56.5 cm)
Frame: 21 1/4 × 24 1/2 × 1 1/4 in. (54 × 62.2 × 3.2 cm)
Credit LineGift of Benjamin and Renée Danziger in memory of Peter C. Marzio and in honor of Gary Tinterow
Object number2012.241
Not on view
Explore Further
Department
Prints and DrawingsObject Type
Exhibition HistoryThe New Art Centre, London, England
Inscriptions, Signatures and Marks
Signed recto lower left: Moore / 80
Printed label with additions typed on verso lower center:
THE NEW ART CENTRE / 41, Sloane Street, London, S.W.I. / Artist: HENRY MOORE / Title: Reclining and Standing figures 1981 / Medium: Mixed Media / Size: 9 7/8 x 14 ins / Stock No. 01942
THE NEW ART CENTRE / 41, Sloane Street, London, S.W.I. / Artist: HENRY MOORE / Title: Reclining and Standing figures 1981 / Medium: Mixed Media / Size: 9 7/8 x 14 ins / Stock No. 01942
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Shirley Jaffe
c. 2000
Gouache, watercolors, wax crayon, and acrylic on wove paper
2023.274
Samuel Palmer
July 5, 1837
Watercolor and gouache over black chalk, heightened with white chalk on wove paper
2017.15
![[Figure]](/internal/media/dispatcher/262686/thumbnail)
![Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]](/internal/media/dispatcher/425171/thumbnail)
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Al Taylor
1998
Graphite, ink, gouache, grease pencil, wax crayon, acrylic mica mortar and correction fluid on wove paper
2002.444
Lesley Dill
1995
Collage of cut gelatin silver prints, acrylic paint, charcoal, ink, and black and white thread, with scraping on gelatin silver print
2013.696
Gego (Gertrud Goldschmidt)
1980–1982
Watercolor and crayon with scored lines on white wove paper
2006.1388
Richard Wilson
c. 1752
Black chalk, heightened with white chalk, white gouache, and gray wash on blue-gray laid paper
2021.290