Giuseppe Alinari
The Cathedral and Campanile, Pisa

CultureItalian
Titles
  • The Cathedral and Campanile, Pisa
Datec. 1855
PlacePisa, Italy
MediumAlbumen print from glass negative
DimensionsImage: 13 5/16 × 10 1/4 in. (33.8 × 26 cm)
Sheet: 13 5/16 × 10 1/4 in. (33.8 × 26 cm)
Mount: 25 5/16 × 19 5/16 in. (64.3 × 49.1 cm)
Credit LineMuseum purchase funded by the Brown Foundation Accessions Endowment Fund, The Manfred Heiting Collection
Object number2004.215
Not on view

Explore Further

Department
Photography
Object Type
Description

In 1852 Leopoldo Alinari (1832–1865) set up a small photographic laboratory in Florence, and two years later his brothers Giuseppe (1836– 1890) and Romualdo (1830–1891) joined him in establishing Fratelli Alinari (Alinari Brothers), a photographic firm that continues to this day. From the start, their greatest renown came as photographers of Italy’s rich treasury of art and architecture, often catering to international visitors on the Grand Tour eager to collect images as aides-mémoires of their travels, or as a virtual substitute for those unable to make the trip in person.


As it is today, the cathedral complex at Pisa, built from the 11th to the 14th century, is admired for its beauty, coherence, and completeness—and, of course, for the famous lean of its bell tower. In addition to choosing a point of view that shows the tower’s dramatic tilt, the photographer picked a time of day when the light best revealed the delicate series of columns and arches. Many a photographer has stood at the same spot in the subsequent 160 years.


ProvenanceChristie's South Kensington, London, 11/1988.

Bought by Manfred Heiting from Lunn Ltd. on 10/24/1986.
Exhibition History“A History of Photography II: Selections from the Museum's Collection,” The Museum of Fine Arts, Houston, March 17–July 19, 2015.
Inscriptions, Signatures and Marks
Blind stamp: "FRATELLI ALINARI // FOTOGRAFI // FIRENZE via nazionale 8"
Inscribed in ink recto on mount: "Pisa // Torre della Cathedrale"
Inscribed in negative: "86"
Marked, verso, upper left in pencil: "216"
There is no evident signature.

Cataloguing data may change with further research.

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