Simon Norfolk
Namibia, 1904

Namibia, 1904

© Simon Norfolk / Gallery Luisotti

Namibia, 1904
Namibia, 1904
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Namibia, 1904
  • For Most Of It I Have No Words: Genocide, Landscape, Memory
Dateprinted 2000
PlaceAfrica
MediumChromogenic print
DimensionsImage: 5 15/16 × 6 in. (15.1 × 15.2 cm)
 Sheet: 15 13/16 × 11 15/16 in. (40.2 × 30.3 cm)
Credit LineGift of the photographer in honor of Amy Duke and the Holocaust Museum Houston
Object number2002.299
Not on view

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Department
Photography
Object Type
ProvenanceThe artist, Brighton, England; given to MFAH, 2002.
Inscriptions, Signatures and Marks
Marked in pencil on verso lower third: "For Amy Duke and the Holocaust Museum Houston April 2002 / a native soldier fighting with the Germans swore under oath: / "When the engagement was over we discovered eight or nine Jick (?) Hereos ...(?) who had been left behind. Some / of them were blind. They had a supply of ...(?) and ...(?) But the German soldiers burned them alive by setting fire to the hut." When questioned a German officer replied, "So what? They might have inflicted (?) us with some disease."
Printed and pencil verso lower left: "Handprinted by the photographer / Date September 2000"
Marked in pencil verso, lower right: "Nambia 1904 / For Most of It I Have No Words / Genocide, Landscape, Memory"
Signed on verso lower left: "Simon Norfolk
Impressed in the lower center of recto sheet: "simon / norfolk / 0171 254 9620 / 0973 394718"

Cataloguing data may change with further research.

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Residents of the southern suburbs of Beirut, bombed from their homes in the Israeli war against Lebanon in the summer of 2006, camping in central Beirut's parks
Simon Norfolk
Residents of the southern suburbs of Beirut, bombed from their homes in the Israeli war against Lebanon in the summer of 2006, camping in central Beirut's parks
2006
Chromogenic print
2014.901
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
Simon Norfolk
Shah-do-Shamshira Mosque was built in the 1920s on the site of one of Kabul’s first mosques, the Mosque of the King with Two Swords, named in honour of an early Muslim king who died fighting Hindu invaders.
2010–2011, printed September 2011
Chromogenic print
2016.224.5
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
Simon Norfolk
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.2
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
Simon Norfolk
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
2010–2011, printed September 2011
Chromogenic print
2016.224.7
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
Simon Norfolk
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
2010–2011, printed September 2011
Chromogenic print
2016.224.32
Unfinished, speculative property development near Kabul Airport.
Simon Norfolk
Unfinished, speculative property development near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.30
Internet café, Herat.
Simon Norfolk
Internet café, Herat.
2010–2011, printed September 2011
Chromogenic print
2016.224.28
A security guard’s booth at the newly restored Ikhtyaruddin citadel, Herat.
Simon Norfolk
A security guard’s booth at the newly restored Ikhtyaruddin citadel, Herat.
2010–2011, printed September 2011
Chromogenic print
2016.224.29
Kabul ‘Pizza Express’ restaurant behind the municipal bus depot.
Simon Norfolk
Kabul ‘Pizza Express’ restaurant behind the municipal bus depot.
2010–2011, printed September 2011
Chromogenic print
2016.224.27
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
Simon Norfolk
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
2010–2011, printed September 2011
Chromogenic print
2016.224.24
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
Simon Norfolk
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
2010–2011, printed September 2011
Chromogenic print
2016.224.25