Joe Rosenthal
Old Glory Goes Up on Mount Suribachi, Iwo Jima

Old Glory Goes Up on Mount Suribachi, Iwo Jima

© Associated Press

Old Glory Goes Up on Mount Suribachi, Iwo Jima
Old Glory Goes Up on Mount Suribachi, Iwo Jima
ArtistAmerican, 1911–2006
CultureAmerican
Titles
  • Old Glory Goes Up on Mount Suribachi, Iwo Jima
DateFebruary 23, 1945
Place , Japan
MediumGelatin silver print
DimensionsImage: 3 9/16 × 4 5/16in. (9 × 11cm)
Sheet: 3 5/8 × 4 1/2in. (9.2 × 11.5cm)
Frame (outer): 20 3/8 × 16 3/8 × 1 1/4 in. (51.8 × 41.7 × 3.2 cm)
Credit LineMuseum purchase funded by the Kevin and Lesley Lilly Family, The Manfred Heiting Collection
Object number2002.2036
Not on view

Explore Further

Department
Photography
Object Type
Description

On February 23, 1945, veteran newspaper journalist Joe Rosenthal captured five United States Marines and one United States Navy Corpsman as they raised the American flag on Iwo Jima island in Japan. His photograph remains one of the best-known images of World War II's Pacific War. As the editors of U.S. Camera Magazine wrote, "In that moment, Rosenthal's camera recorded the soul of a nation."


After hearing that the initial flag raised was going to be replaced with a larger one, Rosenthal chose to follow the second team to the top of Mount Suribachi volcano to cover the event. Using a 4x5 field camera and not entirely ready for the initial jerk of the flagpole upward, he took a frame from his hip, anyway. The shot he thought he had missed became an American icon before he had ever seen the resulting image. Rosenthal's photograph of the flag being raised would soon grace the cover of almost every major newspaper, helping to lift human spirits in a time of war.


Old Glory Goes Up on Mt. Suribachi, Iwo Jima won the Pulitzer Prize and was immortalized in the Marine Corps War Memorial in Arlington, Virginia. It has been the subject of poems, stamps, tattoos, and a major motion picture; has been reenacted at homecomings; has been re-created in Lego bricks; and has been interpreted as yard art. Few images in the history of photography have enjoyed such a full and varied life.


 


ProvenanceChristie's, New York, April 17, 1997, lot 251;
Exhibition History"WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath," Museum of Fine Arts, Houston, November 11, 2012–February 3, 2013.

"The Marzio Years: Transforming the Museum of Fine Arts, Houston, 1982–2010," Museum of Fine Arts, Houston, October 25, 2020–January 10, 2021.
Inscriptions, Signatures and Marks
Inscribed, verso in black, upper left: "This is / the negitive [sic] I made"

Stamped in black in circle, verso, lower right: "PASSED BY NAVAL CENSOR" in which is initialed in black: "ColoB"

Stamped in blue, verso, lower left: "MHC" after which is inscribed in pencil: "3170"
The photograph is unsigned.

Cataloguing data may change with further research.

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