Simon Norfolk
Auschwitz: Staircase in a prison block

Auschwitz: Staircase in a prison block

© Simon Norfolk / Gallery Luisotti

Auschwitz: Staircase in a prison block
Auschwitz: Staircase in a prison block
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Auschwitz: Staircase in a prison block
  • from the series For Most Of It I Have No Words: Genocide, Landscape, Memory
Datec. 1998, printed 1999
Place depictedAuschwitz, Germany
MediumGelatin silver print
DimensionsImage: 5 7/8 × 5 7/8 in. (14.9 × 14.9 cm)
 Sheet: 15 7/8 × 11 7/8 in. (40.3 × 30.2 cm)
Credit LineMuseum purchase funded by Joan and Stanford Alexander
Object number2000.100
Not on view

Explore Further

Department
Photography
Object Type
Provenance[Blue Sky Gallery, Portland, Oregon]; purchased by MFAH, 2000.
Inscriptions, Signatures and Marks
The photograph is embossed, recto, lower right: "Simon Norfolk / 0044 171 254 9620"

Inscribed verso in pencil, lower right: "Auschwitz Prison Staircase"
The photograph is signed and dated in pencil, verso, lower left: "Simon Norfolk August '99"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
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Simon Norfolk
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
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2016.224.44
The entrance to a small, western-backed NGO.
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Chromogenic print
2016.224.41
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
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Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
2010–2011, printed September 2011
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2016.224.42
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
Simon Norfolk
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
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The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
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The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
2010–2011, printed September 2011
Chromogenic print
2016.224.40
A view of Kabul city centre from Bala Burj.
Simon Norfolk
A view of Kabul city centre from Bala Burj.
2010–2011, printed September 2011
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