Antonio Canova
A Figure Representing Virtue

ArtistItalian (Venetian), 1757–1822
CultureItalian
Titles
  • A Figure Representing Virtue
  • Model of Virtue Carrying the Urn
Datec. 1798–1800
PlaceVienna, Austria
PlaceVenice, Italy
MediumPlaster
Dimensions18 1/2 × 8 × 7 1/2 in. (47 × 20.3 × 19.1 cm)
Credit LineMuseum purchase funded by the Agnes Cullen Arnold Endowment Fund
Object number2000.95
Not on view

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Object Type
Description

Antonio Canova was the most influential sculptor of the Neoclassical movement, exceeding all others in international fame and prestige.


He ran a large studio and worked for a galaxy of European notables, including Napoleon of France, Britain's Duke of Wellington, and Catherine the Great of Russia.


 Canova's early work is lively and naturalistic, but after he settled in Rome in 1781 his style became graver and thoroughly imbued with the influence of the antique. His most significant and certainly his most affecting contribution to the art of sculpture are his tombs. This plaster cast of Virtue in mourning is a working model for the magnificent tomb of Archduchess Maria Christina in Vienna. Commissioned in 1798 at the wish of her grieving husband, the tomb with its procession of celestial figures was meant as an expression of her fondly cherished virtues. The handling of this highly finished model suggests the care and attention that Canova paid to the design and construction of the renowned tomb.


 


ProvenancePossibly a gift from Canova to Guidita Pasta; Private collection, England; [Daniel Katz, Ltd., London]; purchased by MFAH, 2000.
Exhibition History"Earth & Fire: Italian Terracotta Sculpture from Donatello to Canova," MFAH, Beck Building, Brown Foundation Gallery, November 18, 2001 to February 3, 2002.

"Neoclassicism: A Taste for the Antique, 1720-1790," The Museum of Fine Arts, Houston, Brown Foundation Galleries, March 20-May 30, 2011.

"Canova: Sketching in Clay," National Gallery of Art, Washington D. C., June 11–October 9, 2023; The Art Institute of Chicago, November 19, 2023–March 17, 2024. (OL.1477)
Inscriptions, Signatures and Marks
There is no signature or inscription.

Cataloguing data may change with further research.

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