Pierre Alechinsky
The Tomb of Ensor

The Tomb of Ensor

© Artists Rights Society (ARS), New York / ADAGP, Paris

The Tomb of Ensor
The Tomb of Ensor
CultureBelgian
Titles
  • The Tomb of Ensor
  • Le Tombeau d'Ensor
Date1961
Made inParis, France
MediumOil on canvas
Dimensions67 3/8 × 80 in. (171.1 × 203.2 cm)
Credit LineMuseum purchase
Object number61.47
Not on view

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Object Type
DescriptionWith The Tomb of Ensor, Pierre Alechinsky paid homage to the great Belgian precursor of Expressionist painting, James Ensor (1860–1949). The leering masks and skeletal forms, as well as the high-key palette of shockingly bright and pretty colors, echo Ensor’s most macabre compositions. However, Alechinsky brings his unique dynamism to this ghostly masquerade. As he explained: “When I paint, I liberate monsters. They are the manifestations of all the doubts, searches, and groping for meaning and expression that all artists experience. One does not choose the content, one submits to it.”

ProvenanceThe artist; purchased by MFAH, 1961.

Exhibition History"Expressionism in Modern Art," Art Museum of South Texas, Corpus Christi, 1974.

"Art of the 20th Century: A Revelation," Congregation Beth Israel, Houston, October 14–24, 1982.

"Direction and Diversity: Twentieth Century Art in the Museum Collection," Museum of Fine Arts, Houston, May 21–September 3, 1988.

"Modern and Contemporary Art: Spotlight on the Collection," Museum of Fine Arts, Houston, February 7–August 27, 2000.

"Art at Midcentury: Spotlight on the Collection of the Museum of Fine Arts, Houston," Museum of Fine Arts, Houston, April 13–September 3, 2001.

"Europe 1900-1975: Selections from the Museum's Collection," Museum of Fine Arts, Houston, March 4, 2014–January 4, 2015.

"Confrontation: Keith Haring and Pierre Alechinsky," Nova Southeastern University Art Museum, Fort Lauderdale, Florida, February 27–September 25, 2022.

Inscriptions, Signatures and Marks
Signed, dated, titled lower right: Alechinsky / IV / 1961 / le tombeau d'Ensor

Cataloguing data may change with further research.

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