Christopher Townsend
Tea Table

CultureAmerican
Titles
  • Tea Table
Datec. 1760–1780
Made inNewport, Rhode Island, United States
MediumMahogany; chestnut
Dimensions26 1/8 × 33 3/8 × 20 1/4 in. (66.4 × 84.8 × 51.4 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.58.108
Current Location
Bayou Bend Collection and Gardens
Newport Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

In contrast to Philadelphia, Rhode Island square tea tables continued to be produced
 concurrently with Rococo style round ones. The Bayou Bend tea table, with its severe lines and minimal ornament, is emblematic of the Rhode Island aesthetic. Its undercut talons, inspired by English work, represent a finesse of carving that in America is virtually unique to Newport.

Related examples: Most closely related is Monkhouse and Michie 1986, pp. 133–34, no. 71. Similar are a slab table in Ott 1965, pp. 32–33, no. 30 and a tea table in Antiques 136 (October 1989), p. 674.

Book excerpt: Warren, David B., Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenancePossibly Daniel Weeden, Jamestown, Rhode Island; by descent to his son, John Weeden; by descent to his son, William Augustus Weeden (1793–1864); by descent to his son, George W. Weeden (1822–1893); by descent to his daughters, Lucy A. Weeden (1848–1937) and Elizabeth C. Weeden Barber (1852–1936); given to May B. Henne (1877–1958), Springfield, Massachusetts; purchased by [Nathan Liverant and Son, Colchester, Connecticut]; purchased by [Israel Sack, New York, before 1958]; purchased by Miss Ima Hogg, 1958; given to MFAH, 1958.
Inscriptions, Signatures and Marks
Underneath top: To May B Henne From Lucy A. Weeden and Elizabeth C. Barber [paper label]
Underneath top: illegible chalk
[no marks]

Cataloguing data may change with further research.

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Dressing Table
Christopher Townsend
c. 1750–1755
Mahogany; yellow-poplar, eastern white pine, and chestnut
B.59.96
Bureau Table
John Townsend
c. 1760–1780
Mahogany; chestnut and yellow-poplar
B.69.91
Desk and Bookcase
Edmund Townsend
c. 1765–1785
Mahogany; eastern white pine; chestnut; yellow poplar, and cedar
B.99.24
Bureau Table
Thomas Spencer
c. 1780–1785
Mahogany; mahogany, eastern white pine, chestnut, soft maple, and yellow poplar
B.92.6
Side Chair (one of a pair)
John Townsend
1800
Mahogany; birch, soft maple, eastern white pine, and poplar
B.66.11.1
Side Chair (one of a pair)
John Townsend
1800
Mahogany; birch, soft maple, eastern white pine, and poplar
B.66.11.2
Set of Six Side Chairs
c. 1830–1850
Mahogany; chestnut
B.2007.3.1-.6
High Chest of Drawers
c. 1750–1800
Mahogany; chestnut, southern yellow pine, eastern white pine, and yellow-poplar
B.69.89
Side Chair (one of a set of six)
c. 1830–1850
Mahogany; chestnut
B.2007.3.4
Side Chair (one of a set of six)
c. 1830–1850
Mahogany with chestnut
B.2007.3.5
Desk and Bookcase
c. 1760–1790
Mahogany; eastern white pine, soft maple, chestnut, red cedar, poplar-aspen or cottonwood, white oak, and Spanish cedar or cedrela
B.69.22
Tall Clock
Edward Spalding
c. 1765–1785
Mahogany; chestnut, white oak, black cherry, eastern white pine, southern yellow pine, and cherry
B.59.83