Henri de Toulouse-Lautrec
At the Table of Monsieur and Madame Natanson

Public Domain

ExpandFavorite

Artist Henri de Toulouse-Lautrec(French, 1864–1901)French, 1864–1901

CultureFrench

Titles

At the Table of Monsieur and Madame Natanson

Date1898

PlaceParis, France

MediumOil on board

Dimensions22 1/2 × 30 3/4 in. (57.2 × 78.1 cm)
frame: 33 1/8 × 41 5/8 in. (84.1 × 105.7 cm)

Credit LineJohn A. and Audrey Jones Beck Collection, gift of Audrey Jones Beck

Object number98.303

Current Location

The Audrey Jones Beck Building

223 Beck Galleries

On view

Explore Further

Department

European Art, Beck Collection

Special Collections

Object Type

PAINTING

ProvenanceEXCOLLECTION: Joseph Hessel, Paris.
EXCOLLECTION: R. A. Peto, London.
EXCOLLECTION: Arthur Tooth & Sons, London, 1967.
EXCOLLECTION: Mr. and Mrs. John A. and Audrey Jones Beck, Houston, 1967.

Exhibition HistoryGalerie Rosenberg, Paris, 1914.

"Toulouse-Lautrec," Galerie Manzi-Joyant, Paris, 1914.

"Trente Ans d'art indépendant," Salon des Indépendants, Paris, 1926.

"Toulouse-Lautrec, trentenaire," Musée des Arts Décoratifs, Paris, 1931.

"Delacroix to Dufy," Lefevre Gallery, London, 1946.

"Paintings from Mr. Peto's Collection," Arts Council of Great Britain, London and extensive tour, 1947–48.

"Toulouse-Lautrec," Matthiesen Gallery, London, 1951.

"French Paintings: A Second Selection from Mr. Peto's Collection," Arts Council of Great Britain, Exeter and extensive tour, 1951–52.

"French Impressionists from the Peto Collection," City Art Gallery, Plymouth, Massachusetts, 1960.

"The French Impressionists and Some of their Contemporaries," Wildenstein and Co., London, 1963.

"The Collection of John A. and Audrey Jones Beck," The Museum of Fine Arts, Houston, 1974.

"Toulouse-Lautrec: Paintings," The Art Institute of Chicago, 1979.

"The Magic Mirror: The Portrait in France 1700–1900," The Museum of Fine Arts, Houston, 1986–87.

"The World of Toulouse-Lautrec," Dixon Gallery and Gardens, Memphis, 1989.

"Toulouse-Lautrec," Hayward Gallery, London, October 8, 1991–January 19, 1992; Galeries nationales du Grand Palais, Paris, February 18–June 8 1992.

Inscriptions, Signatures and Marks

Inscription: Stamp used is the artist's distinctive mark incorporating his initials so that the vertical lines of the T and the L are also either the vertical lines for a letter H or are connected by a hyphen. The entire device is surrounded by a circle.:

Stamped, lower left, recto: "TL"

View this object in The Beck Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.