Robert Crossman
Miniature Chest with Drawer

CultureAmerican
Titles
  • Miniature Chest with Drawer
Datec. 1725–1735
Made inTaunton, Massachusetts, United States
MediumPainted eastern white pine; chestnut
Dimensions20 1/2 × 22 5/8 × 13 in. (52.1 × 57.5 × 33 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.57.92
Current Location
Bayou Bend Collection and Gardens
Murphy Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

This chest, made with the simplest plank construction, is attributed to Robert Crossman, a Taunton drum maker who is also thought to have produced and deco­rated a distinctive body of furniture. The group ranges from miniature one-drawer chests, as represented by the Bayou Bend example, to full-size chests of drawers. They are all ornamented with variations on the tree of life, probably inspired by printed or embroidered textiles. This chest displays decoration typical of Cross­man’s earlier works, which is segmented and confined to the drawer front and chest panel. His later pieces have decora­tion that covers the overall facade.

Technical notes: Painted eastern white pine; chestnut (drawer bottom). Pull is re­placed. The drawer construction is dovetailed, the bottom board nailed to back and let into the sides and front. Backboards of chest are nailed.

Related examples: Williamsburg (Green­law 1974, no. 72) and Lockwood 1957, fig. 39, have miniature one-drawer chests similarly decorated with trees on the drawer; Art Insti­tute of Chicago (Comstock 1962, no. 180) and Fraser 1933, fig. 3, have miniature one-drawer chests; Winterthur has a miniature two-drawer chest in the late style, dated 1742 (Fales 1972, fig. 46); Sack 1969–92, vol. 10, p. 2659, no. P6358, a three-drawer chest dated 1732 on the front; Yale (Fraser 1933, fig. 4) and MMA (acc. no. 45.78.5) each has a three-drawer chest.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[John S. Walton, New York]; purchased by Miss Ima Hogg, 1957; given to MFAH, by 1966.
Exhibition History

Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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High Chest of Drawers
c. 1750–1800
Mahogany; chestnut, southern yellow pine, eastern white pine, and yellow-poplar
B.69.89
Desk
c. 1700–1730
Black walnut, undetermined burl veneer, and eastern white pine; eastern white pine, black walnut, yellow-poplar, cherry, Cuban oyster wood (Gymnanthes lucida), and chestnut
B.69.42
High Chest of Drawers
c. 1730–1760
Paint, gesso, gold leaf, eastern white pine, soft maple, brass; eastern white pine
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Tall Clock
Edward Spalding
c. 1765–1785
Mahogany; chestnut, white oak, black cherry, eastern white pine, southern yellow pine, and cherry
B.59.83
Desk and Bookcase
c. 1760–1790
Mahogany; eastern white pine, soft maple, chestnut, red cedar, poplar-aspen or cottonwood, white oak, and Spanish cedar or cedrela
B.69.22
scan from file photograph
c. 1730–1800
Black walnut; yellow-poplar, red oak, Atlantic white cedar, chestnut, eastern white pine, and black walnut
B.61.82
Writing-arm Chair
Ebenezer Tracy
c. 1770–1803
Eastern white pine, yellow-poplar, soft maple, white oak, chestnut, and butternut
B.69.409
High Chest of Drawers
c. 1750–1782
Cherry; eastern white pine and southern yellow pine
B.28.1
Table
c. 1700–1730
Black walnut; soft maple, chestnut, and eastern white pine
B.59.71
Desk and Bookcase
Edmund Townsend
c. 1765–1785
Mahogany; eastern white pine; chestnut; yellow poplar, and cedar
B.99.24
Bureau Table
Thomas Spencer
c. 1780–1785
Mahogany; mahogany, eastern white pine, chestnut, soft maple, and yellow poplar
B.92.6
Dressing Table
Christopher Townsend
c. 1750–1755
Mahogany; yellow-poplar, eastern white pine, and chestnut
B.59.96