Francis William Edmonds
Interior Study

CultureAmerican
Titles
  • Interior Study
Datec. 1835–1863
Made inUnited States
MediumOil on paper mounted on board
DimensionsSheet: 5 5/8 × 7 7/16 in. (14.3 × 18.9 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by Arthur Seeligson III in honor of Walter Negley, Nancy B. Negley, and Alfred Negley at "One Great Night in November, 1998"
Object numberB.98.34
Current Location
Bayou Bend Collection and Gardens
Belter Parlor
On view

Explore Further

Department
Bayou Bend
Object Type
DescriptionFrancis William Edmonds began a career in banking in New York City before seriously pursuing artistic training in the late 1820s. He became involved with several artists’ associations there, and his connections to the financial world helped bring artists and patrons together. The subjects of most of Edmonds’s paintings derive from American life. The majority represent domestic interiors as the setting for dramas of everyday middle-class existence. His images generally display the optimistic good cheer that Americans of this period preferred, and many include humorous touches.
ProvenanceThe artist; by descent, his daughter Nora H. Edmonds; her daughter Cecil Coudert; her son, Paul Begelow; [Kennedy Galleries, New York]; purchased by MFAH, 1998.
Exhibition History

Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled (Head I)
John Edmonds
2018
Inkjet print
2018.513
Milton
John Edmonds
2018
Inkjet print
2018.376
The Heron
Francis Edmond Currey
c. 1865, printed 1870
Platinum print
85.294.1
Round Tower, Ardmore
Francis Edmond Currey
c. 1865, printed 1870
Platinum print
85.294.2
Untitled (Study for Bridge-Puente)
Francis Alÿs
2005–2006
Oil and encaustic on canvas
2016.176.1
provided by lender
Francis Alÿs
2005–2006
Oil paint and pencil on tracing paper
2016.176.2
provided by lender
Francis Alÿs
2007
Oil paint, masking tape, and pencil on tracing paper
2016.176.3
provided by lender
Francis Alÿs
2005–2009
Oil paint and pencil on tracing paper
2016.176.4
Untitled (Study for Don‘t Cross the Bridge before You Get to the River)
Francis Alÿs
2005–2009
Oil on tracing paper on post card, framed
2016.176.8
Dr. Connell
Francis Cotes
c. 1765
Oil on canvas
98.589
William Denison
Francis Cotes
c. 1769–1776
Oil on canvas
94.825
Autumn on Greenwood Lake
Jasper Francis Cropsey
1861
Oil on canvas
2006.577