Carl Wilhelm Kolbe
Arcadian Landscape with a Satyr Family at the right

Arcadian Landscape with a Satyr Family at the right

Public Domain

Arcadian Landscape with a Satyr Family at the right
ArtistGerman, 1759–1835
CultureGerman
Titles
  • Arcadian Landscape with a Satyr Family at the right
Datec. 1796–1800
PlaceGermany
MediumEtching, state II/II
DimensionsPlate: 11 1/2 × 14 5/16 in. (29.2 × 36.4 cm)
 Sheet: 13 15/16 × 16 3/4 in. (35.4 × 42.5 cm)
 Frame: 20 × 23 1/8 in. (50.8 × 58.7 cm)
Credit LineGift of Inez Winston Reymond in honor of Barry Walker
Object number2009.1667
Not on view

Explore Further

Department
Prints and Drawings
Object Type
ProvenanceInez Winston Reymond, Houston, by 2009; given to MFAH, 2009
Inscriptions, Signatures and Marks
below image (within plate), recto lower left corner: C.W. Kolbe
in black above image (within plate), recto upper left corner: 57
Catalogue raisonnéMartens 187, Jentsch 57

Cataloguing data may change with further research.

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Große, weit nach links überhängende Eiche, im Mittelgrund See links vorn zwei Kuhe, in der Mitte sitz ein Mann an der Böschung (silhouettenhaft). (Large,overhanging oak, in the middle ground a lake, in the left front are two cows, in the middle a man sits on the embankment (silhouetted)).
Carl Wilhelm Kolbe
Große, weit nach links überhängende Eiche, im Mittelgrund See links vorn zwei Kuhe, in der Mitte sitz ein Mann an der Böschung (silhouettenhaft). (Large,overhanging oak, in the middle ground a lake, in the left front are two cows, in the middle a man sits on the embankment (silhouetted)).
c. 1795 - 1835
Etching, state I/II
2009.1668
Auch ich war in Arkadien (I Too Was in Arcadia)
Carl Wilhelm Kolbe
Auch ich war in Arkadien (I Too Was in Arcadia)
before 1801
Etching
96.698
Jupiter and Antiope, the Larger Plate
Rembrandt van Rijn
Jupiter and Antiope, the Larger Plate
1659
Etching with burin and drypoint on laid paper, state II/III
2000.53
The Holy Family descending a forest path, near a flock and some shepherds, Number 21
Giovanni Domenico Tiepolo
The Holy Family descending a forest path, near a flock and some shepherds, Number 21
c. 1752, published 1753
Etching on Venetian laid paper, state II/II
2015.392
The Angel Departing from the Family of Tobias
Rembrandt van Rijn
The Angel Departing from the Family of Tobias
1641
Etching, state II or III/IX
96.1765
21
Brice Marden
21
1986
Sugar lift aquatint, etching, and scraping on wove paper, artist's proof II/X, state II/II
96.29.21
24
Brice Marden
24
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state II/II
96.29.24
23
Brice Marden
23
1986
Sugar lift aquatint and etching, artist's proof II/X, state II/II
96.29.23
10
Brice Marden
10
1986
Sugar lift aquatint and etching, artist's proof II/X, state II/II
96.29.10
3
Brice Marden
3
1986
Sugar lift aquatint and etching, artist's proof II/X, state II/II
96.29.3
The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length
Rembrandt van Rijn
The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length
c. 1631
Etching and engraving, state II/IV
2002.310
The Horse of Ostend
Robert Sargent Austin
The Horse of Ostend
1921
Etching on cream laid paper, state II/II, from the edition of 40
2022.314