Ambroise Louis Garneray
2ème Vue d'Aigleville, Colonie du Texas ou Champ d'Asile (2nd View of Aigleville, Colony of Texas or Field of Asylum)

2ème Vue d'Aigleville, Colonie du Texas ou Champ d'Asile (2nd View of Aigleville, Colony of Texas or Field of Asylum)

Public Domain

2ème Vue d'Aigleville, Colonie du Texas ou Champ d'Asile (2nd View of Aigleville, Colony of Texas or Field of Asylum)
ArtistFrench, 1783–1857
PublisherParis, active late 18th century
CultureFrench
Titles
  • 2ème Vue d'Aigleville, Colonie du Texas ou Champ d'Asile (2nd View of Aigleville, Colony of Texas or Field of Asylum)
Datec. 1819
PlaceFrance
MediumMezzotint with etching, engraving and watercolor on wove paper
DimensionsPlate: 11 × 13 3/16 in. (27.9 × 33.5 cm)
Sheet: 12 1/8 x 15 1/8 in. (30.7 x 38.4 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.60.91.2
Not on view

Explore Further

Department
Bayou Bend
Object Type
Provenance[The Old Print Shop, Inc., New York]; purchased by Miss Ima Hogg, 1960; given to MFAH, by 1966.
Inscriptions, Signatures and Marks
Recto: Inscribed in printed ink, below plate, center: 2eme. Vue d'Aigleville, Colonie du Texas ou Champ d'Asile. / Riviére de la Trinité, Fort Charles, Magasin aux oioreset habitation du general Rigaud. / Na. La árrivée des nouveaux Colons fut signalée par la construction de 4 forts, Le 1er. sous le nom de Charles le 2e. sous celui du milieu le 3e. Henri et le 4e. Palanque sur le bord de la / riviére. Les côtes du Texas sont basses. couvertes de sable et marécageuses. La Colonie était placée entre le Golfe du Mexique d’un côté et les rivieres de la Sabine et de Barofso / de l’autre; au centre deux ruisseaux et des prairies dans une temperature semblable à celle du milli. 400. réfugiés commençaient áy gouter le repos, lorsque les Espangols marchérent sur eux - / pour les obliger à se retirer.
Recto: Inscribed in printed ink, below plate, right: Dessiné et gravé par Yerenrag.
Recto: Inscribed in printed ink, below plate, center bottom edge: A Paris chez BASSET ru St. Jacques No. 64.
Recto: Inscribed in printed ink, below plate, right bottome edge: Déposé au Bureau

Cataloguing data may change with further research.

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1ère Vue d'Aigleville, Colonie du Texas ou Champ d'Asile (1st View of Aigleville, Colony of Texas or Field of Asylum)
Ambroise Louis Garneray
c. 1819
Mezzotint with etching, engraving and watercolor on wove paper
B.60.91.1
Champ d'Asile (The Field of Asylum)
Joseph Claude Pomel
c. 1818
Engraving and aquatint with watercolor hand coloring
B.2007.14
Le Champ d'Asile: Romance (The Field of Asylum: Romance)
Godefroy Engelmann
c. 1819
Recto: Lithograph with hand coloring on laid paper; Verso: Engraving on laid paper
B.72.29
Houston, Hauptstadt von Texas
Unknown German
c. 1845–1850
Etching, engraving, and watercolor on wove paper
B.79.163
Arrivée du Coton dans une Usine d'Égrenage au Texas ou sont faites les Balles Rondes ACCO
Anderson, Clayton & Co.
early 20th century
Gelatin silver print
97.229
Stump Speaking
Louis-Adolphe Gautier
1856
Stipple engraving and etching, printed chine collé, on wove paper, proof before lettering
B.2013.9
Martial Law
John Sartain
1872
Mezzotint, line and stipple engraving and watercolor on wove paper
B.88.28
The County Election
John Sartain
1854
Mezzotint, line and stipple engraving and watercolor on wove paper
B.2000.17
The Washington Family
Edward Bell
1800
Mezzotint, engraving, and roulette printed in colors, with additional watercolor on wove paper
B.65.5
George Washington. Late President of the American Congress
Philip Dawe
1801
Mezzotint and watercolor with engraving on wove paper
B.2019.11
Vue d’Optique/Die Zerstörung der Königlichen Bild Säule zu Neu Yorc (Optical View/Destruction of the Royal Statue in New York)
François Xavier Habermann
c. 1776
Etching and engraving with watercolor on laid paper
B.95.13
Overall recto
Philibert-Louis Debucourt
1815
Aquatint with watercolor hand coloring on wove paper, state I/I
2022.253