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Ebenezer Tracy

Writing-arm Chair

c. 1770–1803

Eastern white pine, yellow-poplar, soft maple, white oak, chestnut, and butternut

B.69.409

Benjamin West

Conversion of Onesimus

c. 1780

Pen, ink, and sepia wash on paper

B.67.26

Benjamin West

Noah Sacrificing

probably 1797–1801

Pen, ink, and sepia wash on paper

B.67.25

John Singleton Copley

Study for "The Siege of Gibraltar" (Study for a Figure on a Cannon in the Longboat)

c. 1785–1786

Black and white chalk on gray-blue paper

B.54.30

John Singleton Copley

Study for "The Siege of Gibraltar" (Study of Figures Pulling on a Rope)

c. 1785–1786

Black and white chalk on gray-blue paper

B.54.29

John Singleton Copley

Study for "The Siege of Gibraltar" (Study of Rescued Figure and Two Figures Pulling on an Oar)

c. 1785–1786

Black and white chalk on gray-green paper

B.54.28

John Singleton Copley

Study for "The Siege of Gibraltar" (Study of Lieutenant Colonel Lindsay and Figures Pulling on a Rope)

c. 1786–1787

Graphite and black and white chalk on gray-blue paper

B.54.27

John Singleton Copley

Study for William Murray, First Earl of Mansfield

c. 1782–1783

Graphite and black and white chalk on blue-gray paper

B.54.26

John Singleton Copley

Portrait of Sarah Henshaw (Mrs. Joseph Henshaw, 1736–1822)

c. 1770

Pastel on paper, mounted on linen

B.54.25

John Singleton Copley

Portrait of Elizabeth Byles (Mrs. Gawen Brown, 1737–1763)

1763

Pastel on laid paper, mounted on bleached plain-weave linen

B.54.21