Sandro Chia
L'anima-buona (The Good Soul)

L'anima-buona (The Good Soul)

© Sandro Chia / Licensed by VAGA at Artists Rights Society (ARS), NY

L'anima-buona (The Good Soul)
L'anima-buona (The Good Soul)
ArtistItalian, born 1946
Printer
Print studioNew York
PublisherNew York
CultureItalian
Titles
  • L'anima-buona (The Good Soul)
  • from the portfolio Manuale d'Aprile (April Manual)
Date1981
Printed inNew York City, New York, United States
Published inNew York City, New York, United States
MediumAquatint, soft ground etching, scraping, and drypoint in brown and black, edition I/X
DimensionsPlate: 11 3/4 × 12 3/8 in. (29.8 × 31.4 cm)
 Sheet: 29 7/8 × 22 1/4 in. (75.9 × 56.5 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, museum purchase funded by the Alice Pratt Brown Museum Fund
Object number96.12.4
Not on view

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980-1994," The Museum of Fine Arts, Houston, April 23, 2006 - October 15, 2006.
Inscriptions, Signatures and Marks
Numbered in pencil, lower left: "I/X". Watermark, lower right corner: "ARCHES FRANCE" and "AEROPRESS".
Signed and dated in pencil, lower right "Sandro Chia 1981" (signature illegible).

Cataloguing data may change with further research.

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E gli eroi alla finestra (And the Heroes at the Window)
Sandro Chia
E gli eroi alla finestra (And the Heroes at the Window)
1981
Aquatint, drypoint, scraping, and soft ground etching in black and purple, edition I/X
96.12.5
L'artificio (Artifice)
Sandro Chia
L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping, and open bite with asphaltum in brown and black on wove paper, edition I/X
96.12.1
Circa l'imprendibile (About the Unseizable)
Sandro Chia
Circa l'imprendibile (About the Unseizable)
1981
Aquatint, etching, scraping, and roulette in colors, edition I/X
96.12.3
Untitled [3]
Martin Disler
Untitled [3]
1981
Photo etching, aquatint, sugar lift aquatint, soft ground etching, hard ground etching, drypoint, and scraping, edition I/X
96.18.3
Image Not Available for [Color trial proof before drypoint]
Sandro Chia
[Color trial proof before drypoint]
1981
Aquatint, scraping and soft ground etching in colors
96.144
Alla torre (To the Tower)
Sandro Chia
Alla torre (To the Tower)
1981
Etching, aquatint, and open bite with asphaltum in colors, edition I/X
96.12.2
Untitled [3]
Eric Fischl
Untitled [3]
1985
Sugar lift aquatint, scraping, soft ground etching, and drypoint in colors, artist's proof X/X
96.22.3
Untitled [3]
John Baldessari
Untitled [3]
1982
Photoetching, aquatint, soft ground etching, and sugar lift aquatint in black and brown, with scraping, edition 9/35
96.1.3
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
Sandro Chia
Proof of second state of black plate and only state of brown plate for L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.140
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
Sandro Chia
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
Day Six
John Cage
Day Six
January 7, 1978
Hard ground etching, drypoint, soft ground etching, sugar aquatint, photo etching, found objects, and color etching in black, blue, and brown, edition 20/25
78.57.6
Untitled
Eric Fischl
Untitled
1984
Sugar lift aquatint, soft ground etching, and scraping, edition X/X
96.21