Side Chair

CultureAmerican
Titles
  • Side Chair
Datec. 1810–1820
Made inBaltimore, Maryland, United States
MediumMahogany, ash, and maple
Dimensions32 5/8 × 18 1/8 × 20 3/4 in. (82.9 × 46 × 52.7 cm)
Credit LineThe Bayou Bend Collection, gift of the Wunsch Americana Foundation
Object numberB.75.1
Current Location
Bayou Bend Collection and Gardens
Music Room
On view

Explore Further

Department
Bayou Bend
Object Type
Description

This chair, with its square back, reeded stiles, and balloon seat, relates in concept to balloon-seated, scroll-back chairs produced in New York. However, the bold reeding of the legs, open at the top, is a feature that appears on a group of Baltimore sofas and tables, and this chair represents a very popular Baltimore design. On the Bayou Bend chair, the reeding of the legs takes on an appearance that is less classical and more like cluster columns in the Gothic taste. It thus relates to the architectural design of the Gothic colonnade of the back, where what might appear to be reeding is actually intended to evoke Gothic ribbing. The Gothic style was introduced into Baltimore at a relatively early date, first by Benjamin Latrobe’s unrealized 1804 design for the new Roman Catholic cathedral, and in 1806 by Maximilian Godefoy’s chapel built for Saint Mary’s Seminary.

Technical notes: Mahogany, ash, and maple (not analyzed microscopically).

Related examples: Twelve chairs made for Governor Charles C. Ridgely of Hampton display the same basic form, embellished with leaf carving on the crest (Hampton National Historic Site, Baltimore); six in a private Baltimore collection are identical to the Bayou Bend example (Weidman et al. 1993, fig. 151); Maryland Historical Society (Weidman 1984, no. 63); Christie’s, New York, sale 6742, January 20–21, 1989, lot 546.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[Bernard and S. Dean Levy, New York]; purchased by Wunsch Americana Foundation; given to Bayou Bend, 1975.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Side Chair
Thomas Seymour
c. 1819–1825
Mahogany; ash, soft maple, mahogany, and white oak
B.88.2
Side Chair (one of a pair)
c. 1785–1820
Mahogany; eastern white pine, ash, beech, birch, and hard maple
B.69.376.1
Side Chair (one of a pair)
c. 1785–1799
Mahogany and ebony; eastern white pine, ash, and soft maple
B.61.92.1
scan from file photograph
c. 1785–1799
Mahogany and ebony; eastern white pine, ash, and soft maple
B.61.92.2
scan from file photograph
c. 1785–1820
Mahogany; eastern white pine, ash, beech, birch, and hard maple
B.69.376.2
Lolling Chair
c. 1785–1825
Mahogany and black cherry; ash and soft maple
B.69.369
Sideboard
Joseph Meeks & Sons
c. 1825–1835
Gilded mahogany and mahogany veneer; white oak, soft maple, ash, eastern white pine, and yellow-poplar
B.67.6
Side Chair
c. 1810–1820
Mahogany and mahogany veneer; cherry and ash
B.68.14.1
Side Chair
c. 1810–1820
Mahogany and mahogany veneer; with cherry and ash
B.68.14.2
Side Chair
c. 1815–1820
Mahogany and mahogany veneer; ash and white oak
B.63.22.1
scan from file photograph
c. 1815–1820
Mahogany and mahogany veneer; with ash and white oak
B.63.22.2
Side Chair
c. 1810–1820
Mahogany and mahogany veneer; ash, cherry, and brass
B.72.114