Artist
John Biggers (American, 1924–2001)American, 1924–2001
CultureAmerican
Titles
- The Stream Crosses the Path
Date1961
PlaceHouston, Texas, United States
MediumOil and tempera on panel
Dimensions40 × 60 in. (101.6 × 152.4 cm)
Credit LineGift of Mr. and Mrs. Arthur J. Mandell
Object number94.723
Current Location
The Caroline Wiess Law Building
200 Brown Gallery
On view
Explore Further
Department
Modern and Contemporary ArtObject Type
In 1957 John Biggers traveled to West Africa on a study tour sponsored by UNESCO. A pioneer among painters researching the African roots of African-American culture, he became a champion of a global awareness that gained increasing currency over the following decade. The Stream Crosses the Path takes its title from traditional Ashanti talking drum verses, which describe the origins of creation as a stream, which ultimately connects all walks of life and the living with their ancestors.
ProvenanceThe artist; purchased by Arthur J. Mandell, Houston; given to MFAH, 1994.
Exhibition History"African-American Art in the Collection of the Museum of Fine Arts, Houston," Museum of Fine Arts, Houston, February 22–May 9, 2004.
City of Houston Mayor's Office, April 26, 2006–December 22, 2009.
"Soul of a Nation: Art in the Age of Black Power," Museum of Fine Arts, Houston, June 27–August 30, 2020.
Inscriptions, Signatures and Marks
The signature and date is on front face, in the tapestry in the foreground “J. Biggers,61”, bottom right.
Cataloguing data may change with further research.
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John Biggers
1942–1945
Bound sketchbook with graphite, watercolor and pastel on wove paper with printed paper board cover and cloth spine
2017.227
John Biggers
1948
Conté crayon with graphite on wove paper mounted on board
2020.214
John Biggers
1956–1957
Conté crayon with gouache on wove paper laid down on paper board
94.724