Andy Warhol
Self Portrait in Drag (regular wig)

Self Portrait in Drag (regular wig)

© The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York

Self Portrait in Drag (regular wig)
Self Portrait in Drag (regular wig)
ArtistAmerican, 1928–1987
CultureAmerican
Titles
  • Self Portrait in Drag (regular wig)
Date1981
PlaceUnited States
MediumDye diffusion transfer print
DimensionsSheet: 4 1/4 × 3 3/8 in. (10.8 × 8.6 cm)
Credit LineMuseum purchase funded by the Director's Accessions Endowment
Object number92.199.1
Not on view

Explore Further

Department
Photography
Special Collections
Object Type
Description

The most renowned
artist to emerge in the early 1960s, Andy Warhol developed a mechanical
approach to art in reaction to the emotionally charged ‘high’ art of Abstract
Expressionism in the mid-20th century. In his art, which ranged from painting
and film to photography, Warhol employed popular and commercial techniques—such
as silk screening, a Polaroid camera, and passport photo booths—and depicted
household names, whether consumer products (such as Brillo, Campbell, and
Coca-Cola) or celebrities (such as Marilyn Monroe and Jackie Onassis). He often
made himself a subject of his art. Through performance, make up, and wigs,
Warhol composed physical barriers to mask his personal identity.



Warhol’s Self-Portraits
series does not offer insights into the artist’s soul; rather it highlights his
chameleon-like ability to disguise his individuality through glamorous poses,
illustrating the artist’s famous quote “The Best American Invention—To be able
to Disappear.”





Provenance[PaceWildensteinMacGill, New York]; purchased by MFAH, 1992.
Exhibition History"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection," Museum of Fine Arts, Houston, Brown Foundation Galleries, February 21 - May 9, 2010.
Inscriptions, Signatures and Marks
Inscription: blind stamp in lower right border:
Andy Warhol

Cataloguing data may change with further research.

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