Elie Nadelman
Tango

ArtistAmerican, born Poland, 1882–1946
CultureAmerican
Titles
  • Tango
Datec. 1918–1924
PlaceUnited States
MediumCherry wood and gesso
Dimensions(.A) male figure: 33 1/2 × 17 1/2 × 13 1/4 inches (85.1 × 44.5 × 33.5 cm)
(.B) female figure: 34 3/4 × 17 1/2 × 11 3/4 inches (88.3 × 44.5 × 29.8 cm)
oval display base: 36 3/4 inches high

Credit LineGift of Mr. and Mrs. Meredith J. Long
Object number96.1751.A,.B
Current Location
The Nancy and Rich Kinder Building
Gallery 203
On view

Explore Further

Department
American Art
Object Type
Description

Tango displays the elegant and fluid geometries associated with the best of sculptor Elie Nadelman’s work. This European émigré developed a quality of playfulness, grace, and charm—hallmarks of his style—by distilling references to both folk art and the newer trends in abstraction in American art at the time.


Nadelman’s sculptures derive from observed nature: specifically performers, entertainers, members of elite and vaudeville society, pianists, conductors, hosts and hostesses, and, as illustrated here, dancing couples. To produce this work, Nadelman used cherry wood. He brushed the surface with gesso and then painted each figure, wiping and rubbing the wood in order to create an aged, roughened surface that resembles the American folk art sculptures he admired and collected.


Here, an elegantly dressed gentleman in black tie guides his graceful partner through the steps of the tango, a Latin American dance craze that raged in Europe and the United States during and after World War I. Although the tango is well known for its seductive qualities, this one is danced by a buttoned-up pair who perform its steps far from the ports of Buenos Aires. Nadelman simplifies forms, refining the curves and counter-curves, the masses and counter-masses. This sculpture becomes a playful image of the couple suspended in motion, gliding toward each other. Indeed, Nadelman’s skill resides in isolating the sexual energy of the dance and filling the empty spaces between the man and the woman, capturing the charged moment just before their hands clasp.


Provenance Research Ongoing Exhibition HistoryExhibited: "The Private Eye: Selected Works from Collections of Friends of the Museum of Fine Arts, Houston," June 11 - August 23, 1989.

Exhibited: "Looking at Sculpture," Museum of Fine Arts, Houston, September 15 - December 29, 1991.

"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, 7 July 2012 - 2 January 2013.

“American Modern: Works from the Collection of Alice C. Simkins,” The Museum of Fine Arts, Houston, April 15–July 19, 2015.
Inscriptions, Signatures and Marks
Inscription: On bottom of sculpture, labels: .A (male figure): "Crate 24" and "3484 73/2." .B (female figure): "Crate 23" and "7 Santini Brothers Fine Arts Division '37."

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled
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This image to be used for all electronic media (website, social media, email)
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