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Mineral Fin

© 2023 Anicka Yi

Mineral Fin
Mineral Fin
ArtistAmerican, born Korea 1971
CultureAmerican
Titles
  • Mineral Fin
Date2023-2024
MediumPMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers
DimensionsOverall: 66 × 26 × 26 in. (167.6 × 66 × 66 cm)
Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment
Object number2025.414
Not on view

Explore Further

ProvenanceThe artist; [Gladstone Gallery, New York]; purchased by MFAH, 2025.
Exhibition History“Anicka Yi: Karmic Debt,” Houston: The Museum of Fine Arts, Houston, June 29–September 7, 2025

Related Radiolaria were introduced in Anicka Yi: There Exists Another Evolution, But In This One, Leeum Museum of Art, Seoul, September 5–December 29, 2024, which traveled to the UCCA Center for Contemporary Art, Beijing, March 22–June 6, 2025.


Published References Anicka Yi: Karmic Debt reviews: Elliot, Amber, “Summer at MFAH: Spend a day in 68 degrees among Indian textiles, “biologized machines,” creative AI,” Houston Chronicle, July 11, 2025: http://houstonchronicle.com/entertainment/art_exhibits/article/summer-mfah-parpia-anicka-yi-20759622.php Müller, Anna, “Anicka Yi and the Poetics of Interdependence,” Aesthetica (July 4, 2025): https://aestheticamagazine.com/anicka-yi-and-thepoetics-of-interdependence/ Additional articles: Dickie, Anna and Anicka Yi, “Anicka Yi: Everything, everywhere, all at once,” Ocula (September 5, 2024): https://ocula.com/magazine/conversations/anicka-yi-everything-everywhere-all-at-once/. Chisholm, Aiden, “Uncertain Afterlives, Anicka Yi’s ‘There Exists Another Evolution, But In This One,’” Impulse (December 13, 2024): https://impulsemagazine.com/symposium/uncertain-afterlives-anicka-yis-there-exists-another-evolution-but-in-this-one Kwon, Mee-yoo, “Embracing uncertainties in Art: All Senses Awakened at Anicka Yi’s Largest Asia Exhibit at Leeum Museum,” Korea Times (September 4, 2024): http://koreatimes.co.kr/www/art/2025/01/398_381861.html Park, Jaeyong, “Anika Yi’s Web of Care,” Frieze (November 12, 2024): https://www.frieze.com/article/anicka-yi-there-exists-another-evolution-but-in-this-one-2024-review Inscriptions, Signatures and Marks
N.A.
N.A.
Catalogue raisonnéN.A.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Night Writing
Anicka Yi
2025
PMMA optical fiber, LEDs, silicone, acrylic, epoxy, aluminum, stainless steel, steel, brass, motors and microcontrollers
2025.415
Four Hundred Fifty Lives
Tatsuo Miyajima
2023
LEDs, Integrated Circuits, electric wire, steel panel
2025.416
Bascule (Seesaw)
Jean Tinguely
1960
Steel rods and wire, aluminum pulley, brass bell, round rubber belt, and electric motor
65.17
He had offered it, though without expectation
Luis Camnitzer
1987
.A: Porcelain, stainless steel, unknown casting resin, unknown dye, silicone adhesive, wood, brass. B: Engraved brass, two brass-headed picture hanging nails
2016.102.A,.B
isms Text: Selections from Truisms, 1977-79
Jenny Holzer
2015
Horizontal LED: RGB diodes, stainless steel housing, edition 5/6
2016.304
Pagoda 409, Tyrrhenian Sea, Priano, 1994
Hiroshi Sugimoto
2011
Optical glass, black-and-white film, unknown hyper-clear silicone adhesive, cypress wood pedestal, black finished steel base, edition 1/1
2012.262
Bert L. Long, Jr.
1991
Acrylic on canvas mounted on board with General Motors muffler
92.166
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Jean Tinguely
1963
Clear sheet plastic support, two radios, two electric motors, electric wires, and red plastic fly-wheel
65.23
Dragon Reflection
Ai Weiwei
2019–2020
Aluminum poles, steel wire, tempered glass mirrors, bamboo, silk, and LED lights
2019.695
Giolight 1 Chandelier
Johanna Grawunder
2007
Acrylic, stainless steel, LED lights, and wire
2014.733
Overall recto
David Zink Yi
2015
Stainless steel, edition 3/5 + 2 APs
2022.161
Each Branch of Coral Holds Up the Light of the Moon
Anicka Yi
2024
Single channel video with 5.1 channel surround sound
2025.20
Anicka Yi