sliderarrowCloseMenushare_facebookshare_instagramshare_xshare_linkedinshare_threadsshare_shareshare_tranditionalshare_calendarshare_emailicon_threadsconnect_facebookconnect_instagramconnect_xconnect_youtubeconnect_atbtn_arrowhamburger-x
Skip to main content
Collections Menu

Study for Light of Silent Sound

Study for Light of Silent Sound
Study for Light of Silent Sound
Study for Light of Silent Sound
ArtistBolivian, born 1948
CultureBolivian
Titles
  • Study for Light of Silent Sound
Date2014
MediumGraphite, ink, gouache, 22k gold powder and gum Arabic on rag paper
DimensionsFrame: 14 7/8 × 15 3/8 in. (37.8 × 39.1 cm)
Credit LineGift of Donna and Bruce Polichar
Object number2024.1134
Not on view

Explore Further

Department
Prints and Drawings
Object Type
ProvenanceThe artist, 2014; [LA Louver Gallery, Venice, CA, 2014]; Donna and Bruce Polichar, Los Angeles, Oct. 30, 2014-2024; given to MFAH, 2024.
Exhibition HistoryNone known
Published References None known Inscriptions, Signatures and Marks
Recto: Initialed and dated in gold ink, right bottom edge: TW 14
Verso: [inaccessible]
None known
Catalogue raisonnéNone

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Lion dévorant un cheval (Lion Devouring a Horse)
Eugène Delacroix
Lion dévorant un cheval (Lion Devouring a Horse)
c. 1844
Watercolor, gouache, and gum Arabic with graphite on paper, mounted to board
2013.455
Study for Torn and Twisted Curtain
Joseph Havel
Study for Torn and Twisted Curtain
2004
Graphite and ink on rag paper
2005.425
Tomb of John of Eltham, Earl of Cornwall, Chapel of St. Edmund, Westminster Abbey, London
Thomas Shotter Boys
Tomb of John of Eltham, Earl of Cornwall, Chapel of St. Edmund, Westminster Abbey, London
c. 1850
Watercolor over graphite, heightened with gouache and gum glaze, on cream wove paper
2023.500
Maps from the Interior
Wendy Smith
Maps from the Interior
1991
Acrylic, graphite powder, and charcoal on wove paper
92.118.A,.B
Maps from the Interior
Wendy Smith
Maps from the Interior
1991
Acrylic, graphite powder, and charcoal on wove paper
92.117.A,.B
Double Slit
Taney Roniger
Double Slit
2025
Charcoal powder and graphite on wove paper
2026.51
Bestiary Study No. 2
Darren Waterston
Bestiary Study No. 2
2009
Watercolor on rag paper
2025.325
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
Stage Design for Balanchine's "Liebesträume"
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Untitled
James Reaben
Untitled
March-June, 1989
Gold leaf, resin, ink, gouache, chalk and graphite on wove paper
90.328.7
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Overall recto.
Elizabeth Whiteley
Ancient Echoes 12
2020
Silverpoint, goldpoint, illuminated with 24k shell gold, on Pelican Plaka casein paint on 100% rag mat board
2022.416
Untitled
Ambreen Butt
Untitled
2003
Watercolor, gouache, pen and ink, graphite, and thread on layered Mylar, printed paper, and handmade paper
2016.49
Tom Wudl