Mother and Son
Artist
Cecilia Beaux (American, 1855–1942)American, 1855–1942
CultureAmerican
Titles
- Mother and Son
- Mrs. Beauveau Borie and Adolphe Borie
Date1896
MediumOil on canvas
DimensionsCanvas: 57 1/4 × 40 in. (145.4 × 101.6 cm)
Frame: 68 1/2 × 52 1/4 × 3 in. (174 × 132.7 × 7.6 cm)
Frame: 68 1/2 × 52 1/4 × 3 in. (174 × 132.7 × 7.6 cm)
Credit LineMuseum purchase funded by Ann G. Trammell in memory of W. Bryan Trammell, Jr.
Object number2024.996
Current Location
The Audrey Jones Beck Building
109 Long & Sarofim Gallery
On view
Explore Further
Department
American ArtObject Type
Exhibition HistoryAn Exhibition of Paintings by Miss Cecilia Beaux, Boston: St. Boltolph Club and New York: American Art Galleries, November 29 – December 31, 1887, no. 8.
Decennial International Exhibition of Fine Arts, 1890-1900, Paris: Grand Palais, Exposition Universelle de 1900, no. 117.
Exhibition of Paintings by Cecilia Beaux, New York: Academy of Arts and Letters, November 14, 1935 – May 2 1936, no. 10.
Cecilia Beaux and the Art of Portraiture, Washington D.C.: National Portrait Gallery, October 6, 1995-January 28, 1996, no. 18.
1900: Art at the Crossroads, London: Royal Academy of Arts and New York: Solomon R. Guggenheim Museum, January 16 – April 3, 2000, no. 101.
Published References “Art and Artists: Important Exhibition of Portraits at the St. Botolph Club”, Boston Advertiser, December 2, 1897. “Pictures by Cecilia Beaux,” The New York Times, December 22, 1897. Walton, W., “Cecilia Beaux,” Scribner’s Magazine, October 1, 1897, p. 479, no. 4. Bell, A., “The Work of Cecilia Beaux,” International Studio, October 1899, p. 216, no. 32. “Paintings at Paris,” Brooklyn Daily Eagle, July 29, 1900, p. 21. “American Paintings at the Paris Exposition,” Hartford Courant, August 9, 1900. Ayres, Linda et al, American Paintings: Selections from the Amon Carter Museum, Birmingham, AL: Oxmoor House, 1986, p. 78-79. Tappert, Tara Leigh, Cecilia Beaux and the Art of Portraiture, Washington, D.C.: National Portrait Gallery and the Smithsonian Institution Press, 1995, no. 18. Rosenblum, Robert, with Ann Dumas and Maryanne Stevens, 1900: Art at the Crossroads, Harry N. Abrams, 2000, p. 43, 174, no. 101. Carter, Alice, Cecilia Beaux: A Modern Painter in the Gilded Age, New York: Rizzoli International Publications, 2005, 49. Inscriptions, Signatures and Marks
Recto: Signed lower left corner: Cecilia Beaux
Signed lower left
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Cecilia Paredes
2007
Cibachrome print on transparent paper, backlight and light box, edition 2/3
2023.207
John King
1831–1838
Oil on canvas
2016.210
