Pottier & Stymus
Parlor Cabinet

CultureAmerican
Titles
  • Parlor Cabinet
Datec. 1862
PlaceNew York City, New York, United States
PlaceParis, , France
MediumRosewood, burled ash, maple, eastern white pine, other woods, gilt, and bronze
Dimensions55 × 54 × 22 7/8 inches (139.7 × 137.2 × 58.1 cm)


Credit LineMuseum purchase funded by the Agnes Cullen Arnold Endowment
Object number91.1306.A,.B
Current Location
The Audrey Jones Beck Building
108 Hevrdejs Gallery
On view

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Object Type
DescriptionWith its extravagant ornamentation and luxurious materials, this cabinet is a dramatic example of mid-19th-century Neoclassical design. Elaborate parlor cabinets were often showpieces in the interiors of the very rich at that time. The prestigious New York cabinetmaking and decorating firm of Pottier and Stymus worked in a highly eclectic style that borrowed from Roman, Egyptian, and Renaissance sources. The elaborate marquetry panel depicting Bacchus, the Roman god of wine, was made in France by specialist craftsman Joseph Cremer.

Provenance[Sypher & Co., New York, c. 1880-1881];[…];[Sotheby’s, London, May 31, 1991, lot 122]; [Margot Johnson, Inc. New York, 1991]; purchased by MFAH, 1991.
Exhibition History"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, 7 July 2012 - 2 January 2013.
Inscriptions, Signatures and Marks
Inscribed on sticker on verso of cabinet, upper right: "Sypher & Co/ Successors to D. Marley/ Antiques & Articles of Virtue/ 739 & 741 Broadway, N.York"

Cataloguing data may change with further research.

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Tall Case Clock
Pottier & Stymus
c. 1875
Cherry, eastern white pine, parcel-gilt, glass, and metals
88.105
Desk
Herter Brothers
1869–1871
Maple, bird's-eye maple, rosewood, white oak, butternut, cherry, other woods, and brass; textile not original
77.373
High Chest
c. 1700–1725
Black walnut, burled walnut veneer, soft maple, and aspen; eastern white pine, hemlock, and birch
B.69.43
Table
c. 1825–1835
Rosewood veneer; eastern white pine, soft maple, marble, paint, and gilt
B.67.40
Side Chair (one of a pair)
c. 1810–1825
Mahogany, ebony, and rosewood; ash, eastern white pine, and brass
B.69.72.1
Side Chair (one of a pair)
c. 1810–1825
Mahogany, ebony, and rosewood; ash, eastern white pine, and brass
B.69.72.2
Pierre Roussel
c. 1750
Tulipwood and other woods, gilt bronze and marble
2021.363
Commode
c. 1770
Walnut veneer; marquetry of tulipwood, elm, rosewood, and calamander; secondary woods: mahogany, red pine group, spruce, white oak group; and ormolu
96.1238
Hand Mirror
c. 1800–1825
Maple, other unidentified woods, and mirrored glass
B.93.19
Square Piano
Gibson & Davis
c. 1810–1815
Painted and gilded mahogany, mahogany veneer, satinwood, soft maple, and holly; yellow-poplar, holly, beech, basswood, cherry, soft maple, eastern white pine, hemlock, mahogany, and ash
B.57.4
Side Chair
John Philip Fondé
c. 1816
Painted and gilded ash; eastern white pine and white oak with reproduction moiré
B.2007.2
Side Chair (one of a pair)
c. 1785–1799
Mahogany and ebony; eastern white pine, ash, and soft maple
B.61.92.1